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Identitas Budaya dalam Novel Lusifer Lusifer karya Venerdi Handoyo: Kajian Postmodernisme Jean Francois Lyotard Saputra, Yusril; Satriani, Irma
DIDAKTIS : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 3 No 1 (2025): DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Fakultas Sastra Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/didaktis.v3i1.790

Abstract

This study explores cultural identity in the novel Lusifer Lusifer by Venerdi Handoyo using Jean Francois Lyotard postmodernism approach. Concentrating on the representation of cultural identity in the form of religion, identity deception and masking, cultural adoption, and forms of irony. concentrating on irony in the text, religious representation, identity deception, and cultural adoption. The novel Lusifer Lusifer by Venerdi Handoyo shows how elements of Christian culture influence the daily lives of its characters through family relationships, religious rituals, and spiritual symbols. In this novel, postmodernism is depicted through the perspective that modernism does not meet the needs of humans as a whole and that religion is part of a collective identity, not just a personal belief. The results show that it offers a reflection on the relationship between religion, culture, and identity and criticizes the norms of modern society. The symbols used and adapted by the characters in this work form a cultural identity, depicting the conflict between the influence of modern culture and religious beliefs.
Relasi Kuasa dalam Novel Sunyi adalah Minuman Keras Karya Sapardi Djoko Damono: Analisis Wacana Kritis Michel Foucault Abidin, Aslan; Ridwan, Ridwan; Saputra, Yusril
Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2026): Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indones
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/bb.v11i1.3716

Abstract

This study analyses Sapardi Djoko Damono's novel Sunyi adalah Minuman Keras (Silence is Alcohol), focusing on power relations over the body and mind, as well as forms of resistance that emerge in the text. This study aims to analyse Sapardi Djoko Damono's novel Sunyi adalah Minuman Keras (Silence is Alcohol), focusing on power relations over the body and mind, as well as forms of resistance that emerge in the text. Using a qualitative approach and Michel Foucault's critical discourse analysis, this study explains how power operates through language and shapes individual subjectivity in the novel. The results show that cognitive control mechanisms such as manipulation, objectification, and stigmatisation reflect power relations over the mind. These mechanisms shape the way characters view themselves and their world. Furthermore, social control that regulates physical actions, lifestyles, and bodily discipline reveals that power relations over the body are often reinforced by cultural and religious norms. The novel also depicts resistance to power through various explicit and implicit means in the characters' storylines. This study shows that Sunyi is Minuman Keras is not merely a work of literature, but also a complex representation of the power dynamics that shape human life. This study helps us understand how literary discourse can both replicate and challenge power structures in society.