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Peran Musik Kontemporer dalam Pelestarian Budaya Tradisional di Ruteng, Manggarai, Flores, NTT Avilla Desyani Jovina Bahang; Gede Budarsa; Putu Karina Pravitasari
Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Vol. 3 No. 1 (2025): Jurnal Pendidikan, Bahasa dan Budaya
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jdan.v3i1.1671

Abstract

This research discusses the role of contemporary music in preserving traditional culture in Ruteng, Manggarai, Flores, East Nusa Tenggara. Contemporary music is an effective medium in bridging traditional values ​​and modern expressions. Using a qualitative approach, this study explores the dynamics that occur in a number of art studios such as Wela Kaweng, Molas Balibelo, Terjang Wero, and Lulu Nai which actively create music and dance works based on local traditions but packaged in a contemporary style. The research results show that contemporary music not only maintains the existence of local musical instruments and motifs such as gong, gendang, kedendik and torok, but also plays a role in transmitting cultural values ​​through digital media and modern performances. Apart from that, contemporary music also encourages community strengthening, expands creative economic opportunities, and supports the development of tourism and cultural education. From a social perspective, this musical art strengthens solidarity between studio members and opens up space for cross-generational collaboration. From an economic perspective, studio activities contribute to MSMEs and income through performances and digital media monetization. In an educational context, studios become interactive learning spaces that instill cultural awareness in the younger generation. Contemporary music in Ruteng has proven capable of adapting to changing times without losing its local cultural roots, making it an inclusive, functional and sustainable cultural preservation strategy. This research recommends the need for continued support from the government and educational institutions to maintain the continuity of local creativity based on traditional wisdom.
Pura Siwa Jagat Karana sebagai Pusat Orientasi Keagamaan, Sosial, dan Budaya Masyarakat Hindu Bali di Kota Ternate Arvita Ratib; Putu Karina Pravitasari; Gede Budarsa
Morfologi : Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya Vol. 3 No. 5 (2025): Oktober : Morfologi : Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/morfologi.v3i5.2299

Abstract

This research examines the role of Pura Siwa Jagat Karana as the orientation center of the Balinese Hindu community in Ternate City, functioning not only as a place of worship but also as a hub for social and cultural activities. The study aims to describe the role of Pura Siwa Jagat Karana in the religious, social, and cultural life of the Balinese Hindu community and to analyze the challenges faced in sustaining its existence within a multicultural society. The research employs Emile Durkheim’s Structural Functionalism theory, emphasizing the role of religious institutions in maintaining social integration. A qualitative approach was applied, using observation, in-depth interviews, and documentation. The findings reveal that Pura Siwa Jagat Karana functions as a spiritual center, a medium for preserving Balinese culture, and a means of strengthening solidarity and identity of the Balinese Hindu community. Nevertheless, the temple faces several challenges, including limited accessibility for worshippers, changes in management, insufficient ritual facilities, dynamics in priest leadership, and constrained resources. Despite these obstacles, the temple continues to serve as a symbol of harmony and a space for interfaith dialogue that fosters peace in the heterogeneous society of Ternate.