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All Journal Journal Analytica Islamica Politik Indonesia: Indonesian Political Science Review
Euis Ammelia
Raja Ali Haji Maritime University
Religion Education Social Sciences

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RENT SEEKING: A STUDY OF RENT SEEKING PRACTICES AND RELATIONS BETWEEN RULERS AND BUSINESSMEN IN THE DECENTRALIZATION REGIME Euis Ammelia; Dian Mustika Intan; Intan Idiani
Politik Indonesia: Indonesian Political Science Review Vol. 9 No. 2 (2024): General Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jpi.v9i2.22359

Abstract

This simple article will describe the practice of rent seeking and the relationship between the rulers and entrepreneurs in the decentralized regime. The case study taken in this study is the corruption case of the Granting of Nickel Mining Business Permits by the Governor of Southeast Sulawesi Province (Nur Alam) in Buton Regency and Bombana Regency 2009-2014. This study was written to see the typology of rent seeking practices that occurred in the corruption case of nickel mining business permits in Buton Regency and Bombana Regency, Southeast Sulawesi Province in 2009-2014. Moreover, this study also looks further into the relationship between entrepreneurs and the rulers that occurred in the area. To answer and examine this problem, the author uses various KPK report documents and media reviews of various investigative reports related to the case, then abstracts it in the theoretical framework of rent seeking. The author realizes that this data collection model is too early to draw conclusions without conducting field studies. The temporary findings of this paper are that the practice of rent seeking in the decentralized regime illustrates that the practice of rent seeking has shifted to the regions in various forms such as bribery. Moreover, the author sees a tendency for other practices in the form of rent seizing, namely the practice of rent seeking that occurs when bureaucrats try to obtain the right to allocate rent generated from state institutions for their own personal interests as was done by Nur Alam, the Governor of Southeast Sulawesi Province. Moreover, the relationship between entrepreneurs and rulers in the author's view tends not to occur state capture, but what occurs is crony capitalism.
Representation of Family Communication in the Film “Bila Esok Ibu Tiada” Through Fiske’s Lens Idiani, Intan; Ammelia, Euis; Intan, Dian Mustika
Journal Analytica Islamica Vol 14, No 1 (2025): ANALYTICA ISLAMICA
Publisher : Program Pascasarjana UIN Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30829/jai.v14i1.25125

Abstract

This study analyzes the representation of family communication in the film "Bila Esok Ibu Tiada" using John Fiske's semiotic framework. The film tells the story of a mother, Rahmi,'s struggle to maintain the integrity of her household after her husband's departure. A descriptive qualitative approach was used, with data collection techniques through non-participant observation of the film. Data analysis was conducted at Fiske's three levels of meaning: Reality Level, Representation Level, and Ideology Level, by identifying visual, audio, and cinematography technical codes. The results of the study show that the film effectively displays the breakdown in communication and the mother's loneliness through behavior, gestures, dialogue, and environment. The conflict peaks when the children realize their mother's absence and find the results of the hospital examination, triggering profound emotional changes. Representation codes, such as the use ofshaky camand changes in rhythmeditingfrom dynamic to slow, as well as melancholic music and gloomy lighting, strengthen the emotional impact and meaning. At the ideological level, the film highlights the mother's infinite sacrifice and the tension between modern individualism and the traditional family collectivism value. The Kintsugi philosophy becomes a metaphor for reconciliation, encouraging children's awareness of the importance of family ties. In conclusion, the film successfully constructs a complex meaning about the importance of appreciating the presence of parents and repairing broken family relationships through layered semiotic elements.
Co-Authors Dian Mustika Intan Idiani, Intan Intan Idiani