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This Author published in this journals
All Journal Journal of Nonformal Education An-Nisa’ Journal of Gender Studies
Samira Agoro
University of Lomé, Togo
Religion Education Social Sciences

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Implementation of the CIPPO Evaluation Model in Culinary Training Anifah Widya Indarthi; Fakhruddin Fakhruddin; Mintarsih Arbarini; Rendi Agung Febrianto; Samira Agoro
Journal of Nonformal Education Vol. 11 No. 1 (2025): Community education and lifelong education
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jone.v11i1.11015

Abstract

Training in Indonesia has undergone industry- and curriculum-focused reforms. The government built BLKs in the regions to align training with industry needs. However, at BLK Pemalang Regency, there is a lack of human resources for training needs analysis, a limited number of instructors, manual administration of attendance records, and a lack of long-term evaluation of graduates. This study aims to analyze the implementation of the CIPPO evaluation model in culinary training. The research used a descriptive qualitative method. Data collection involved observation techniques, interviews with the organizing committee, trainees, and instructors, and documentation. Data validity was ensured through the triangulation of sources and methods. The data analysis technique adopted the Miles & Huberman technique, consisting of data collection, data reduction, data presentation, and conclusion. The research results showed that BLK has a legal basis and a supporting vision-mission, competent human resources, adequate facilities, and a systematic training process by the existing legal basis in improving participants' skills. However, in the outcome component, there is no post-training support and job placement facilities, which causes graduates to be independent in finding jobs, and there is no comprehensive evaluation of the absorption of graduates. It was concluded that there were improvements in participants' knowledge, attitudes, and skills, but BLK needs to strengthen post-training guidance and mentoring programs, improve administration with online systems, and make greater use of social media. This research reflects progress in evaluating culinary training at BLK Pemalang through the CIPPO model, which evaluates program outcomes and long-term benefits for graduates.
Gendered commodification of sadness on Instagram: Digital affective labour in Indonesian popular music Niswatin Nurul Hidayati; Samira Agoro
An-Nisa' Journal of Gender Studies Vol. 17 No. 2 (2024): An-Nisa Journal of Gender Studies
Publisher : Institute for Research and Community Service, Universitas Islam Negeri Kiai Haji Achmad Siddiq Jember, East Java, Indonesia.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35719/annisa.v17i2.290

Abstract

In the postmodern era, sadness is represented, circulated, and transformed from a personal experience into digital attention. This study examines emotional representation and gender negotiation in Indonesian popular songs, the circulation of sad songs on Instagram, and the conversion of users’ emotional expressions into digital engagement. It uses netnography and gender-informed descriptive and thematic analyses of the valence scores of ten Indonesian popular songs, engagement with a post featuring “Hilang Tanpa Bilang”, and 21 purposively selected comments. The analysis examines language, subject positions, and gender norms without inferring users’ gender. Findings show that: (1) eight of the ten songs are categorised as sad or very sad, representing loss, waiting, caregiving, and life pressures that reproduce and negotiate femininity and masculinity; (2) over 1,000 posts featuring “Hilang Tanpa Bilang” demonstrate the circulation of an emotional narrative performed by a female singer; (3) 12 of the 21 comments are negative, expressing vulnerability, loyalty, self-blame, and emotional responsibility, while positive comments demonstrate agency and personal boundaries; and (4) comments constitute digital affective labour that transforms private sadness into public expression, engagement data, and visibility. The commodification of sadness on Instagram emerges through gender representation, music circulation, and digital affective labour. Instagram is ambivalent: it supports emotional recognition and solidarity while transforming gendered emotions into attention and engagement with potential promotional and economic value. By integrating valence analysis, gender perspectives, and digital affective labour, this study illuminates the commodification of sadness in Indonesia’s digital culture. .
Co-Authors Anifah Widya Indarthi Fakhruddin Fakhruddin Mintarsih Arbarini Niswatin Nurul Hidayati Rendi Agung Febrianto