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All Journal Borobudur Communication Review Proceedings of Jogjakarta Communication Conference (JCC)
Gita Sukmono, Filosa
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Languange, Linguistic, Communication & Media Social Sciences

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Narasi Tunawisma Dalam Film Dream: Struktur Narasi A.J. Greimas Amelia, Fajrina; Gita Sukmono, Filosa
Borobudur Communication Review Vol 5 No 1 (2025)
Publisher : Universitas Muhammadiyah Magelang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31603/bcrev.13746

Abstract

This study aims to determine how actantial and functional structures form narratives about homelessness and how the process of social transformation of homelessness is analyzed through binary opposition and the semiotic square as supporting tools in A.J. Greimas' narrative framework. This study uses a qualitative descriptive method with a document study approach. Data was collected through non-participant observation of the film, systematic recording of scenes and dialogues, and the development of narrative structures. Data were analyzed using the Miles & Huberman model, which includes data reduction, data presentation, and drawing and verifying conclusions. The results of the study show that the homeless character in the film Dream is not only a complement to the story but also a driver of the storyline that undergoes a narrative transformation from a passive object to an active subject. This transformation occurs gradually through several shifts in value from passive to active, unworthy to worthy, and powerless to empowered. Thus, this study shows that the film Dream depicts the homeless as a group that can have an important role, not just a marginalized group. This film is also a social critique of marginalized groups' lack of recognition and position in society
Religiosity Representation in Sore Band's Song Lyrics Tatap Berkalam Adhiksa Sasono, Yan; Gita Sukmono, Filosa
Jogjakarta Communication Conference (JCC) Vol. 1 No. 1 (2023): The 4th Jogjakarta Communication Conference (JCC)
Publisher : Jogjakarta Communication Conference (JCC)

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Abstract

This study examines the representation of religiosity in the lyrics of the song "Tatap Berkalam" by Sore Band. In this study, the qualitative method is interpretive with data analysis techniques using text analysis with a semiotic approach. Sources of data obtained from primary data directly from the object of research and secondary data from various supporting references. The music itself has many essential elements, such as arrangement, composition, instruments, and lyrics, which can represent a view of society. The song face to face also represents how one's life journey is to get closer to God. The result obtained is that religiosity in the song is described as a manifesto of life spoken by God Almighty.
Co-Authors Adhiksa Sasono, Yan Amelia, Fajrina