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Representasi Feminisme Liberal dalam Mulan dan The Lord of The Rings: Analisis Dramatistic Pentad Hutami, Cantika Proborini Sekar; Ari S. Widodo Poespodihardjo
Jurnal Spektrum Komunikasi Vol 13 No 2 (2025): Jurnal Spektrum Komunikasi : June 2025
Publisher : LPPM Stikosa - AWS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37826/spektrum.v13i2.883

Abstract

This research explores the portrayal of feminism in the films Mulan (1998) and The Lord of the Rings: The Return of the King (2003), focusing on how feminist values emerge through the actions and choices of the central female characters and how mainstream fantasy films can reflect and inspire progressive social change in gender norms and roles. Utilizing Kenneth Burke’s Dramatistic Pentad—comprising act, scene, agent, agency, and purpose. This study analyzes key scenes where Mulan defies conscription laws by disguising herself as a man and Éowyn enters battle despite royal prohibitions, examined through the lens of liberal feminism, which emphasizes individual autonomy and equal rights. The findings reveal that both characters challenge patriarchal structures by asserting agency within traditionally male-dominated spheres. Mulan and Éowyn not only achieve personal empowerment but also contribute to collective victories
The Meaning of the Animated Music Video: Luh Ayu Manik Mas from the Perspective of Barthes' Semiology Devi, Aprilia Trisya; Hutami, Cantika Proborini Sekar; Sompotan, Ronaldo Alexander
AKADEMIK: Jurnal Mahasiswa Humanis Vol. 5 No. 2 (2025): AKADEMIK: Jurnal Mahasiswa Humanis
Publisher : Perhimpunan Sarjana Ekonomi dan Bisnis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37481/jmh.v5i2.1361

Abstract

This study applies Roland Barthes' semiology theory to analyze semiotics in the animated film Luh Ayu Manik Mas Full Animation New. The film depicts a Balinese heroine striving to safeguard Bali's environment and cultural heritage from various threats. Through semiotic analysis, this research explores the denotative and connotative meanings embedded in the film’s narrative and visual elements, including character representation, traditional Balinese attire, symbols, and rituals. The findings indicate that the stories within each scene highlight Balinese cultural values while promoting environmental conservation. Furthermore, the film reinforces Bali’s indigenous identity by blending modern and traditional elements in its storytelling. The study's results are expected to contribute to media semiotics research, particularly regarding the cultural representation in contemporary animation.