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All Journal Hastagina: Jurnal Kriya dan Indsutri Kreatif
Ngidep Wiyasa, I Nyoman
Unknown Affiliation
Arts Humanities

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Pembuatan Ukiran Logam Sebagai Dekorasi Produk Keramik di Narka'S Silver Celuk, Sukawati, Gianyar Sukajaya, I Komang; Mudra, I Wayan; Ngidep Wiyasa, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 5 No 01 (2025): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i01.4304

Abstract

Decor ceramic generally use rattan , woven ate and metal materials , in particular hiyasan made from metal Still are plain and some have apply carving metal on the lamp ornamental made from ceramics . As stated in Asmara research . et al ., (2020). Decor ceramics are still minimal, namely is something interesting phenomenon For explored in make it happen decor ceramic using carving techniques metal . Art carve metal is art carve Indonesian traditional which involves the process of sculpting and carving metal For create various shapes and motifs. Art This own characteristic unique and diverse specialties , as well used For beautify various objects and accessories . Art carve metal is also a part important from wealth and inheritance art appearance Indonesian traditional (omahbse.co, 2023). Related with That How ornamental shapes and motifs applied to metal For mebut decor ceramics , processes and forms product after applied with carving metal. . The method used in the creation of this work is exploration (searching for sources of ideas, concepts and foundations of creation), design (design of the work) and embodiment (creation of the work). The creation process includes the stages of making sketches, stages of metal carving, installation of gems and installation of inlays on ceramic media, to produce beautiful and functional works. Related with explanation above the ISI Denpasar Institute is one of the arts education institutions in Bali , with give opportunity for student in step up and join in role in existing crafts in Bali for example in art carve metal
Explorasi Estetika dan Teknik Penciptaan Patung Dewi Saraswati Berbahan Beton Okatama, Wayan; Ngidep Wiyasa, I Nyoman; Laba, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.5694

Abstract

Sculpture is a form of three-dimensional visual expression that not only emphasizes aesthetic value but also embodies profound symbolic and spiritual meanings. In Balinese cultural tradition, the statue of Dewi Saraswati holds significant importance as a religious symbol representing knowledge, wisdom, and purity. These values have been passed down from generation to generation, making the statue not merely a work of art but also an integral part of religious practice and spiritual life. Therefore, the exploration of the creation of the Dewi Saraswati statue is considered relevant, particularly in the context of expanding artistic practices to other regions, such as South Lampung Regency. This exploration focuses on both the aesthetic aspects and technical processes involved in creating the statue using concrete as the primary material. Concrete is chosen for its durability, malleability, and strong visual expression. South Lampung is regarded as having great potential, both in terms of raw material availability and the local Hindu community’s demand for religious statues as decorative and symbolic elements in worship spaces and residential environments. The creation process adopts the "Three Stages Six Steps" method proposed by Gustami (2004), encompassing phases from initial observation to final evaluation. The result is a concrete Dewi Saraswati statue that not only highlights aesthetic quality but also carries strong symbolic meaning. These findings affirm that concrete has significant potential to be developed as an alternative medium for sculpture, particularly in the context of South Lampung’s cultural and artistic growth.
Co-Authors I Wayan Mudra, I Wayan Laba, I Nyoman Okatama, Wayan Sukajaya, I Komang