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Pengaruh Latar Belakang pada Pengucapan Dialek Jawa dalam Film “Yowis Ben” Karya Bayu Skak Dea Sholihatun Ni’mah; Anik Fatiatur Rohmaniyah; Binti Tsaniatul Wakhidah; Muhammad Yusron Yusuf; Luthfa Nugrahaini
BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Vol. 3 No. 3 (2025): BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan
Publisher : STIKes Ibnu Sina Ajibarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59841/blaze.v3i3.2903

Abstract

This study examines how the actors’ linguistic backgrounds influence the pronunciation of Javanese dialect in Bayu Skak’s film Yowis Ben. Using a phonetic-phonological approach and performative analysis, this study explores how non-native Javanese actors pronounce typical Javanese dialect sounds in the context of film acting. Data were obtained through transcriptions of conversations in the film and observations of the actors’ performances, then analyzed to reveal the forms of phonological variation that emerged. The findings indicate that individual linguistic factors of the actors play an important role in determining the authenticity of dialect pronunciation. Non-Javanese actors tend to show symptoms of phonological interference, such as phoneme changes and intonation that do not conform to Javanese dialect patterns. However, intensive dialect training can help some actors approach more authentic pronunciation. The uniqueness of this study lies in its approach that combines phonological studies with performance analysis in films, and its focus on the use of dialect in cinematic contexts, not just everyday or formal communication. This study makes a significant contribution to the development of applied phonology and offers insights for the film industry that promotes local cultural values
Pengungkapan Nilai Budaya dalam Naskah Drama “RT Nol RW Nol” karya Iwan Simatupang Zumala’in Nuriyasari; Binti Tsaniatul Wakhidah; Selfi Ananda Putri; Kanzunnudin, Mohammad
PESHUM : Jurnal Pendidikan, Sosial dan Humaniora Vol. 5 No. 3: April 2026
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/peshum.v5i3.14467

Abstract

Drama as a literary work does not merely present plot and conflicts but also reflects the cultural values embedded within a society. The script RT Nol RW Nol by Iwan Simatupang portrays the life of a marginalized community living under a bridge, facing severe social, economic, and physical limitations. This study aims to reveal the cultural values expressed in the drama and examine how these values are internalized through dialogue, character interactions, and the social dynamics developed throughout the narrative. This research employs a descriptive qualitative method with a cultural value approach. Data were collected using reading and note-taking techniques on selected excerpts of the drama, then analyzed through descriptive and interpretative procedures to uncover the cultural meaning embedded within the characters’ actions and dialogues. The findings show that the script contains material, vital, and spiritual values that represent the identity and social reality of impoverished communities. These values are manifested through depictions of economic hardship, solidarity among characters, and internal reflections that serve as their mental resilience. Additionally, the values of truth, aesthetics, morality, and religiosity enrich the cultural representation found in the drama. The study concludes that drama functions as a reflective medium that illustrates cultural values and serves as an educational tool for understanding the existence and social dynamics of marginalized communities within the Indonesian context.