Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal ENDLESS : International Journal of Future Studies
Ellodi, Denise
Unknown Affiliation
Economics, Econometrics & Finance Environmental Science Industrial & Manufacturing Engineering Law, Crime, Criminology & Criminal Justice

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
Reflections on the Neoclassical Dispositions of a Banned Playwright Ellodi, Denise
ENDLESS: INTERNATIONAL JOURNAL OF FUTURE STUDIES Vol. 8 No. 1 (2025): ENDLESS: International Journal of Future Studies
Publisher : Global Writing Academica Researching & Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54783/endlessjournal.v8i1.318

Abstract

The literary work of Albanian playwright Etëhem Haxhiademi had been banned for over four decades due to vindictive political principles. He was one of the most notable creators of Albanian tragedy, revealing Albanian literature in the modern era. In 1924, he wrote the tragedy "Ulysses" in Berlin, in 1926 he wrote the tragedy "Achilles" in Vienna, and in 1928 he wrote the tragedy "Alexander" in Lushnje, Albania. All three tragedies were published in Tirana, Albania, in 1931. Later, he wrote and published the tragedies "Pyrrhus" (1934), "Scanderbeg" "Skënderbeu" (1935), "Diomedes" (1936), and "Abeles" (1938). He was also known as the creator of the poetic volume "Lyra", (1939). His dramatic work was set up according to models of classical tragedy, using ancient or medieval subjects, even dating back to pre-biblical history. His literary work becomes functional to revelations that can be compared to phenomena, ideas and problems staging the reality of the time in which he wrote his works. By striving to clarify the notions of classicism in this writing, we have directly contributed to the estimation of the literary work of E. Haxhiademi which, in our opinion, presents excessive concomitances in the ideas, aesthetic ideals and design practices of neoclassical experiments. in Europe.
Co-Authors