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All Journal Jurnal Damar Pedalangan
Bratanatya, I Bagus Wijna
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Arts Humanities

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PUTRI MURTI Laksamana, Putu Diki; Bratanatya, I Bagus Wijna; Cempaka Dewi, Ni Luh Ayu
JURNAL DAMAR PEDALANGAN Vol 5 No 1 (2025): Mei
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v5i1.4915

Abstract

The story takes place in a realm called Uma Praksa, where a kingdom named Brahma Purana is ruled by Queen Ratu Putri. One night, during a royal meeting attended by Indurasmi, Ratu Putri recalls a tale told by the Brahmin Vishnu Yogi—that she can only be defeated by a powerful incantation known as Durga Murti Putri. The following night, Ratu Putri’s disciples, including Ni Sindur, gather at Setra Gandamayu for a ritual. After their meditation, Dewi Durga appears and grants them a divine blessing. They return to the palace, and later that night, Ratu Mohini, Raja Putra, Ni Condong, and Waraha Putra perform a sacred offering in Alas Putra, led by Ratu Mohini’s father, Sage Sri Nadaswara. During the ceremony, a thunderous roar surprises the assembly as Hayagriva, an avatar of Vishnu, descends. Meanwhile, Kala Boma summons Delem and Sangut to announce his plan to destroy Uma Praksa and its surroundings. That night, chaos unfolds as Kala Boma attacks the kingdom. Ratu Putri’s disciples and Raja Putra’s siblings, including Ratu Rupini and her allies, engage in fierce battle. Ratu Putri transforms into Rangda Putih, while Ratu Indurasmi becomes Rangda Bang or Durga Bang. The war rages for 108 days until Raja Putra, guided by Hayagriva, confronts and awakens his sister, Ratu Putri. Raja Putra then transforms into Banaspati (Barong). In their final transformation into Barong and Rangda, Raja Putra and Ratu Putri vanish, never returning to their human forms.
Teater Wayang Inovatif Satya Semara Adi, Wira; Sedana, I Nyoman; Bratanatya, I Bagus Wijna
JURNAL DAMAR PEDALANGAN Vol 6 No 1 (2026): Mei
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v6i1.5283

Abstract

The declining interest in traditional puppetry among younger generations and the growing demand for adaptive artistic forms have encouraged the need for innovative approaches to Balinese wayang performance. This study aims to describe the creation process, artistic realization, and interpretative strategy of the innovative wayang theater Satya Semara, which reinterprets the value of loyalty within the contemporary narrative of the Ramayana. The creation process employed the Catur Datu Kawiya method, consisting of Pandulame (imaginative exploration), Adicita Adirasa (conceptual formulation), Saranasasmaya (artistic media preparation), and Gunagina Gunamanta (collaborative realization). The artistic outcome presents a hybrid theatrical form integrating Ramayana puppetry, colossal performance, digital lighting, multimedia elements, and contemporary dramaturgy while maintaining essential values of Balinese puppetry. Through the reinterpretation of characters and dramatic tensions, Satya Semara offers a reflective reading of fidelity, sacrifice, and moral dilemmas in contemporary society. This creation contributes to the revitalization of Balinese puppetry through innovative performance strategies that preserve tradition while expanding its aesthetic and pedagogical relevance.
Co-Authors Adi, Wira I Nyoman Sedana, I Nyoman Laksamana, Putu Diki Ni Luh Ayu Cempaka Dewi