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All Journal YASIN: Jurnal Pendidikan dan Sosial Budaya AHKAM : Jurnal Hukum Islam dan Humaniora Innovative: Journal Of Social Science Research TOFEDU: The Future of Education Journal Jurnal Pendidikan Sains dan Teknologi Terapan
Fris Okta Falma
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Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Other

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Implementation of Three-Dimensional Modeling & Layout in the Animation Rindu Tanah Asal Fazril, Muhammad; Fris Okta Falma
The Future of Education Journal Vol 4 No 5 (2025)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v4i5.588

Abstract

In the 3D animation production process, modeling and layout serve as the fundamental basis for creating a visual narrative that supports the storyline. This final project, titled "Rindu Tanah Asal", focuses on the development of 3D assets and layout design without covering animation or sound effects. The story portrays the journey of a migrant named Fazril, who longs for his hometown and faces various challenges along the way. The modeling process involves building characters, buildings, and trees using Blender software. The layout is arranged based on the storyboard to maintain visual continuity of the story. This project employs the Multimedia Development Life Cycle (MDLC) method as a framework to ensure a systematic production workflow. The final output consists of 3D assets and layouts ready to be used in the animation phase.
Design of 3D Modeling and Interaction on the SEAMOLEC Training Web Farhan, Muhammad; Fris Okta Falma
The Future of Education Journal Vol 4 No 6 (2025)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v4i6.603

Abstract

This report is prepared as part of the Final Project titled "Design of 3D Modeling and Interaction on the SEAMOLEC Training Web." The main objective of this study is to fulfill one of the curriculum requirements for completing the Diploma Four (D-IV) Program at the Vocational School of Universitas Negeri Padang. During the completion of this final project, the author received considerable support from various parties, including intellectual guidance, moral encouragement, and material assistance. This project involved effective time management, where the author planned to complete the work within one week, starting from theme determination to the training publication. On the fifth day, the author conducted evaluations and revisions of the videos and prototypes created, and on the sixth and seventh days, focused on finalizing the training project. Visual appeal was one of the primary focuses of this training. An attractive design and layout are crucial to engage participants, making them feel comfortable and interested in joining the training. Furthermore, the 3D models used in the training must meet specific criteria to ensure the learning outcomes can be effectively tested, ranging from shape selection to color choices. Therefore, this report aims not only to meet academic requirements but also to contribute to the development of more interactive and engaging training methods through the use of 3D modeling technology. The author hopes that the results of this project will be beneficial for the advancement of education and training in the future.
Implementation of Storyboarding and Compositing in the 2D Animation “Spectrum Rise” Yuliendri, Afandra; Fris Okta Falma
The Future of Education Journal Vol 4 No 6 (2025)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v4i6.604

Abstract

This final project report discusses the process of designing the storyboard and compositing in the production of a 2D animation titled “Spectrum Rise.” The animation aims to convey the importance of literacy through an engaging visual approach. The development method employed is a pipeline, which includes pre-production, production, and post-production stages to ensure an efficient and structured workflow. In the storyboard design phase, thumbnail sketching techniques are applied to quickly and effectively explore visual ideas. In the compositing stage, layering techniques are used to assemble visual elements into a cohesive frame. This process is supported by the use of Clip Studio Paint for storyboarding and Adobe After Effects for compositing. The final outcome demonstrates that the applied methods and techniques successfully result in a communicative storyboard and compositing that effectively enhances the atmosphere and emotion of the story. This report is expected to serve as a reference for practitioners and students in the field of animation, particularly in the visual design stage.
The Implementation of Animation Techniques in the 3D Animated Series Little Ammar, Season 4 Episode 03 Putra, Abdul Hanif Lidia; Fris Okta Falma
The Future of Education Journal Vol 4 No 6 (2025)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v4i6.630

Abstract

This final project report discusses the application of 3D animation techniques in the Little Ammar series, Season 04 Episode 03, with a primary focus on optimizing character expressions to appear more natural and communicative for a young audience. The project utilizes Blender software to implement various techniques such as advanced rigging, pose-to-pose animation, and the use of the Graph Editor. This approach aims to create expressive character movements that align with the narrative and match the child-friendly visual style. The production process includes stages ranging from storyboard planning, modeling, rigging, and animation to rendering and result evaluation. The results of the project demonstrate that techniques such as flexible facial expression controls, real video references, and classical animation principles such as anticipation, timing, and squash and stretch successfully enhance the visual quality and storytelling. Evaluation was conducted on both technical and narrative aspects, indicating the project's success in delivering animation that is not only aesthetically appealing but also effective in conveying moral messages. Technical challenges such as stiff motion transitions and difficulties in mimicking children's movements were successfully overcome through appropriate strategies, resulting in an animation that can be well enjoyed by children on the Durioo digital platform.
Pembuatan Animate 3D AM Band (Animation Band) Assidiqi, Irvan Maulana; Fris Okta Falma
Jurnal Pendidikan Sains dan Teknologi Terapan | E-ISSN : 3031-7983 Vol. 2 No. 3 (2025): Juli - September
Publisher : CV.ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to design and produce a 3D animation titled AM BAND as an educational medium based on interactive multimedia. AM BAND is a virtual band that performs the song “Animasi UNP” with digitally animated characters synchronized to the music. The production process includes stages of modeling, rigging, animating, texturing, lighting, rendering, and editing, utilizing Blender and Mixamo. The development method employed is the linear (Waterfall) model, supported by SWOT analysis techniques. The final result demonstrates strengths in visual and educational aspects, although certain technical challenges remain. This product is expected to serve as a creative and inspirational reference for digital animation learning within academic settings.
Penerapan Animate dan Compositing dalam Animasi Pendek Rindu Tanah Asal Hanesha Aulia Muslim; Fris Okta Falma
Innovative: Journal Of Social Science Research Vol. 5 No. 3 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i3.19159

Abstract

Penelitian ini mengkaji proses penerapan teknik animate dan compositing dalam produksi animasi pendek berjudul Rindu Tanah Asal, yang mengangkat tema kerinduan seorang perantau terhadap kampung halamannya. Produksi animasi dilakukan dengan pendekatan metode pipeline yang mencakup tiga tahapan utama, yaitu pra-produksi, produksi, dan pasca-produksi. Dalam tahap produksi, proses animasi dikerjakan menggunakan metode pose-to-pose, yaitu teknik yang menyusun gerakan utama terlebih dahulu sebelum diisi dengan in-between. Pendekatan ini dipilih karena memungkinkan pengendalian ritme gerakan dan ekspresi emosional karakter secara lebih akurat. Untuk sistem rigging, digunakan kombinasi antara Inverse Kinematics (IK) dan Forward Kinematics (FK) guna menghasilkan gerakan tubuh yang fleksibel dan realistis, khususnya pada bagian lengan dan kaki. Selain itu, ekspresi wajah karakter dikembangkan dengan shape key agar dapat mencerminkan emosisecara halus dan mendalam. Tahap pasca-produksi dilakukan dengan teknik compositing berbasis layer-based effect menggunakan perangkat lunak Adobe After Effects. Dalam tahap ini, hasil render dari Blender yang telahdipisahkan ke dalam beberapa render pass (seperti diffuse, shadow, ambient occlusion, dan z-depth) dikomposituntuk menghasilkan tampilan visual yang lebih hidup. Beberapa efek visual yang diterapkan antara lain color grading untuk membedakan nuansa masa lalu dan masa kini melalui skema warna hangat dan dingin, depth of field untuk menciptakan kesan ruang, serta efek cahaya dan partikel untuk mendukung atmosfer emosionaldalam cerita. Analisis terhadap proses produksi dilakukan dengan pendekatan SWOT (Strengths, Weaknesses, Opportunities, Threats). Hasil analisis menunjukkan bahwa kekuatan utama produksi terletak pada pemanfaatanfitur teknis dari software animasi dan komposit secara maksimal, serta penerapan metode yang tepat dalammenggarap karakter dan suasana visual. Kelemahan yang dihadapi antara lain keterbatasan waktu produksi dan perangkat keras. Namun, peluang yang terbuka adalah pengembangan karya ini sebagai bagian dari portofolioanimasi berbasis cerita emosional, dengan ancaman utama berupa kompleksitas teknis yang memerlukanperencanaan pipeline yang matang. Secara keseluruhan, hasil akhir dari proyek ini adalah animasi pendekberdurasi sekitar tiga menit yang telah melalui tahapan rendering dan compositing dengan sentuhan efek visual yang mendukung pesan cerita. Integrasi teknik animate dan compositing terbukti mampu memberikanpengalaman visual yang efektif, sekaligus meningkatkan kualitas naratif dan estetika karya secara keseluruhan.
Implementasi Musik Ilustrasi Film Animasi Hybrid "Tingkuluak: Pusaka Perempuan Minang dalam Sehelai Kain" Menggunakan Teknik Leitmotif Vigho Antonio; Fris Okta Falma
AHKAM Vol 5 No 4 (2026): AHKAM: Jurnal Hukum Islam dan Humaniora
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/ahkam.v5i4.11589

Abstract

Although film music has been used to bind narratives in culturally themed animated films, the application of the leitmotif technique in hybrid animation featuring Tingkuluak remains limited. This study aimed to describe and analyze the implementation of the leitmotif technique in the film score of the animated film Tingkuluak: Pusaka Perempuan Minang dalam Sehelai Kain. The study employed a qualitative descriptive approach with a practice-based research design encompassing the preproduction, production, and postproduction stages. Data were collected through questionnaires administered to young people, an interview with a cultural informant, a literature review, documentation of the creative process, alpha testing, and beta testing with an animation expert. The data were analyzed descriptively by categorizing musical requirements, interpreting audiovisual compatibility, and conducting technical evaluations. The results showed that leitmotifs developed through variations in melody, harmony, tempo, dynamics, instrumentation, and sound layering were able to establish a musical identity, reinforce the atmosphere, and maintain narrative continuity. The use of MIDI, virtual instruments, talempong, and Malay flute further accentuated the nuances of Minangkabau culture. The testing results also indicated the need to improve the consistency of dialogue volume, the alignment of the music with the emotions of the scenes, and audiovisual synchronization. This study enriches the practice of creating film music based on local culture and offers a film-scoring production workflow that can be applied to the development of educational animation media.
Rancang Bangun Musik Tradisional Minangkabau Berbasis Immersive Technology Jelita Kristin Sagala; Fris Okta Falma
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.11595

Abstract

Although the use of immersive technology to introduce cultural heritage continues to develop, media integrating the forms, sounds, and simulated performance of traditional Minangkabau musical instruments remain limited. This study aimed to design and develop an immersive technology-based Minangkabau traditional music application as an interactive medium for cultural introduction. The study employed a research and development approach using the Multimedia Development Life Cycle model, which comprises the concept, design, material collecting, assembly, testing, and distribution stages. The data sources included traditional musical instruments, scientific documents, and one purposively selected Minangkabau music practitioner. Data were collected through observation, semi-structured interviews, a literature review, documentation, and functional testing, and were subsequently analyzed descriptively using SWOT analysis. The result of the study was a Windows-based virtual reality application featuring three-dimensional models of talempong, canang, and gandang katindiak, along with recordings of the original instrument sounds. The implementation of a collider system, virtual reality controllers, a touch-detection script, and Audio Source enabled users to play the instruments using both hands, including producing the distinct “dum” and “tak” sounds of the gandang katindiak. Internal testing indicated that the navigation functions, object responses, and audio output operated according to the design. These findings extend the use of immersive technology as an interactive medium for introducing and preserving traditional Minangkabau music. However, the application’s effectiveness in improving users’ understanding of and interest in Minangkabau culture still requires testing with broader user groups.
Co-Authors Assidiqi, Irvan Maulana Fazril, Muhammad Hanesha Aulia Muslim Jelita Kristin Sagala Muhammad Farhan Putra, Abdul Hanif Lidia Vigho Antonio Yuliendri, Afandra