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Konsep Estetika Impresionisme dalam Pemikiran Henri Bergson Sri Pandanari, Dika
Indonesian Character Journal Vol. 2 No. 2 (2025): Indonesian Character Journal
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/icj.v2i2.11593

Abstract

Since the eye and the ability of perception have been recognized in painting techniques, especially in representational painting, questions have emerged regarding how an artist’s perception of reality can be transferred into a work of art. This transfer of the artist’s perception into the artwork can be found in the Impressionist movement. Impressionism is a major art movement that revolutionized not only painting tools but also painting techniques and the paradigm of reality in the eyes of painters. Impressionism focuses on how light can define a moment in time, with color providing definition rather than black lines. From this definition, it is evident that the transfer of an artist’s perception is influenced by moments in time. One philosopher who discusses the moment in time is Henri Bergson. This study focuses on how an artist’s perception of reality can be expressed in the form of artwork, particularly within the Impressionist movement. The main issue explored is how an artist's perception is understood and processed into a work of art, by examining the influence of experiences of time, light, and color on the creation process. This research aims to outline the discussion of perception in Henri Bergson’s theory, especially in Impressionist painting. The study finds that at the very least, memory images are at play when the painter's perception is active, which in painting practice is referred to as "impression" in the Impressionist movement. Impressionism, grounded in the artist's connection with impressions of their reality, is, according to Bergson, an accumulation point of memory images contained within a person's memory and consciousness.
INSTAGRAM SOCIAL MEDIA TRAINING TO INTRODUCE THE BRAWIJAYA MUSEUM COLLECTIONS TO THE DIGITAL PUBLIC Sri Pandanari, Dika; Kabir, Gedong; Windaningsih; Setyowibowo, Bhekti; Dhamayanti, Meilani
SEEIJ (Social Economics and Ecology International Journal) Vol. 10 No. 1 (2026): March
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/seeij.v10i1.14562

Abstract

Brawijaya Museum is a military history center in Malang City that has a wealth of valuable collections. Unfortunately, this museum is not yet fully known by the digital community. Limitations in digital communication strategies, especially through social media, have limited the museum's reach to visits by educational institutions such as student groups facilitated by teachers. This community service activity aims to provide training in the use of social media, especially Instagram, to the management of the Brawijaya Museum to increase the visibility and appeal of the museum's collections to the wider public. The methods used in this activity include technical training, assistance in creating visual content and interactive narratives, optimizing Instagram features, and preparing guidelines for implementing Instagram social media management for the sustainability of the museum's existence on social media. The active participation of partners in each stage of the activity strengthens the sustainability of the program, while increasing their capacity to manage digital media independently. The results of this activity show an increase in the ability of partners to produce and manage content on Instagram, as well as the preparation of a digital communication strategy for managers. This activity is expected to be a model for strengthening digital capacity for other institutions in reaching the digital community more effectively