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Gaya Bahasa Kiasan dalam Kutipan BAB Tanda-Tanda Cinta dari Ṭawq al-Ḥamāmah karya Ibn Ḩazm Elza Salsabillah Arriyaha Lawaqih Taufik; Myrna Nur Sakinah
Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Vol. 3 No. 1 (2025): Jurnal Pendidikan, Bahasa dan Budaya
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jdan.v3i1.1889

Abstract

This study aims to analyze the use of figurative language in the chapter “Signs of Love” in Ibn Hazm's Ṭawq al-Ḥamāmah. The main focus of this research is to identify and examine the forms of figurative language including simile, metaphor, and personification, which are used to describe various expressions and symptoms of love. This research uses a descriptive qualitative approach, with data collection techniques in the form of reading and note-taking of relevant quotations in the source text. The results of the analysis show that Ibn Hazm uses simile 13 times, metaphor 2 times, and personification 4 times. Ibn Hazm uses this variety of figurative language styles to convey the experience of love in a way that is full of meaning and touches feelings.
Simbolisme Cinta Ilahiah dalam Puisi “This Marriage” Karya Jalaluddin Rumi : Kajian Stilistika dan Tasawuf Siti ‘Alma Sajidah Fauziyah; Myrna Nur Sakinah
Jurnal Arjuna : Publikasi Ilmu Pendidikan, Bahasa dan Matematika Vol. 3 No. 5 (2025): Jurnal Arjuna : Publikasi Ilmu Pendidikan, Bahasa dan Matematika
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/arjuna.v3i5.2294

Abstract

This study analyzes Jalaluddin Rumi's poem “This Marriage” from a Sufi perspective, highlighting the spiritual dimension of marriage and divine love. Using a descriptive qualitative approach and stylistic analysis, this research explores how marriage is presented not only as a social union, but also as a path of inner purification and mystical union with God. Primary data is extracted from the translated text of the poem, while secondary sources include academic articles and works on symbolism, Sufism and the concept of love. Analysis reveals that Rumi employs spiritual metaphors such as fruit, shadow and paradise to illustrate the depth of sacred love in marriage. The notion of fana (annihilation of the ego) and baqa (spiritual perennity) is central, underlining marriage as a means to divine union (ittihad). This research contributes to a better understanding of the Sufi vision of conjugal love as a spiritual path. It is suggested that future studies include interdisciplinary analysis and other Sufi works to enrich interpretation.