Dyah Febria Wardhani
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Rekonstruksi Estetika Kaligrafi Digital: Studi Adaptasi Seniman Lokal Nurliana; Dyah Febria Wardhani
Besaung : Jurnal Seni Desain dan Budaya Vol. 10 No. 2 (2025): Besaung: April-July
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v10i2.5450

Abstract

This study examines the aesthetic reconstruction of digital calligraphy as a form of adaptation by local artists to the advancement of digital technology and the dynamics of contemporary art. Digital calligraphy is not merely understood as a technical transformation of traditional practices, but as a new creative domain that facilitates the exploration of form, color, composition, and integration with modern visual media. The primary objective of this research is to identify how local artists reinterpret the aesthetic values of calligraphy through digital mediums, along with the challenges and strategies they employ in the process.The study employs a qualitative approach with a descriptive-analytical method. Data were collected through literature reviews, visual observation of digital calligraphy works, and in-depth interviews with two artists representing distinct artistic backgrounds. The findings reveal that digitalization provides expanded opportunities for visual expression, technical efficiency, and wider dissemination of artwork. However, it also presents issues related to authenticity, the perception of artistic value, and the difficulty of preserving the essence of traditional calligraphy.The study concludes that digital calligraphy is not merely a substitute for conventional techniques, but a medium that broadens aesthetic horizons through an interdisciplinary approach that combines technology, visual culture, and traditional values. Therefore, digital calligraphy artists are required to possess not only technical proficiency but also philosophical understanding to ensure their works remain authentic and meaningful in a modern context.
Participatory Action Research: Preservation of Sacred Rice and Cultural Resilience in the Lower Paramasan Dayak Community Dyah Febria Wardhani; Deasy Arisanty; Siti Faizah; Muhammad Siddik
Gawi: Journal of Action Research Vol. 6 No. 1 (2026)
Publisher : Borneo Research and Education Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59329/gawi.v6i1.282

Abstract

Beras Keramat, a local rice variety with high cultural and spiritual value, faces an imminent threat of extinction due to declining cultivation and shifting agricultural priorities. This study aims to revitalize the preservation of Beras Keramat and enhance community food security through a participatory approach. Conducted over a two-month period in Paramasan Bawah Village, this research utilizes the Action Research model, consisting of a cyclical process of Planning, Acting, Observing, and Reflecting. Data was collected through in-depth interviews and field observations involving 9 key informants. This research utilizes the Action Research model, consisting of a cyclical process of Planning, Acting, Observing, and Reflecting. The intervention involved a collective planting strategy in which each household was mandated to cultivate at least one gantang of seeds, accompanied by documentation of traditional rituals and monitoring of youth engagement. The findings indicate that the structured action cycle successfully achieved its key outcome indicators, notably increasing cultural awareness and securing a stable seed stock of Beras Keramat within the community. The integration of ritual documentation with practical cultivation served as an effective bridge for intergenerational knowledge transfer. This study develops the concept of “Communal Heritage-Based Food Security,” suggesting that the survival of endangered local cultivars relies on the synergy between cultural mandates and community participation. While limited to a specific local context, this research implies that community-led action is a resilient model for indigenous crop conservation.