Elias, Stanley
Universitas Sanata Dharma

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Representation of Traumas of Displacement in Marie Therese Toyi’s Weep Not, Refugee Mihayo, Astelia; Elias, Stanley
Journal of Language and Literature Vol 19, No 1 (2019): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (732.909 KB) | DOI: 10.24071/joll.v19i1.1810

Abstract

With the ever-increasing outbreak of intrastate and interstate wars since the mid-20th century, Africa has experienced mass displacement of people which has subsequently resulted in an increase of displaced communities in the world. From these displaced communities, African refugees constitute a significant share of the total displaced people in the globe, which count to 68.5 million people. The present study explored representation of traumas of displacement in Marie Therese Toyi’s Weep Not, Refugee. The study deployed Ruth Caruth’s tenets of trauma studies in literature. The findings of the study affirm the authors use Weep Not Refugee to explore the significant contribution of displacement to delineate and circumscribe Burundian refugees with traumatised and reduced identities in areas of displacement. In most cases, the journey of leaving home and later their lives in refuge of Burundians are explicated to be surrounded by tragic experience and reduced identities that ascribe them to burden and non-entity beings. Moreover, the authors provide an opportunity for readers to explore displacement and its significant contribution to the constructions of cultural trauma among refugees.  Because of ethnic war which has led to displacement of Burundians to other areas, Burundians have to lose some cultural aspects and invent new ones for the sake of cultural adjustment in the foreign land they are hosted.Keywords: displacement, reduced identities, trauma 
Representation of Nostalgic Memories for Home in African Diasporic Poetry: Critical Analysis of Selected Poems of Mahtem Shiferraw Elias, Stanley
Journal of Language and Literature Vol 18, No 2 (2018): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (965.376 KB) | DOI: 10.24071/joll.v18i2.1595

Abstract

Nostalgia for home has been a common subject in African diasporic literature. In past four decades the African continent has witnessed an increase of movements of people leaving their home places to new places around the world. These movements whether voluntarily or forcibly have resulted to displaced communities in the world and diasporic community being one of those communities. This paper critically analyses the representation of nostalgic for home in selected poems in of Mahtem Shiferraw and how do such nostalgic memories contribute of in (re)defining the identity of the poet. Central to the analysis it can be argued that nostalgic memories are reflective and restorative of past experiences of home [land] crafted from diasporic sensibilities. As depicted in the selected poems, namely, “Fuchsia”, “Synesthesia” and “Talk about Race” the poet represents both the pleasant and unpleasant past life experiences she has gone through while in Africa and later in America. Also nostalgic memories re/defines the inseparable forged identity of the poet from reconstructed past as an African in America. However, according to the discussion, the traditional sense of nostalgia is challenged as the poet yearns for the significant moments of home [land] while remaining in the foreign land.Keywords: diasporic literature, home; nostalgic memoriesÂ