Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Journal of Music Science, Technology, and Industry (JOMSTI)
Sukawiadnyana, I Gede Yogi
Unknown Affiliation
Arts Social Sciences Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Transformasi Timbre dalam Gamelan Bali: Eksplorasi Resonator Digital pada Gender Wayang Sukawiadnyana, I Gede Yogi
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This study discusses the modification of Balinese gender wayang instruments by replacing physical resonators with digital resonators based on the Digital Audio Workstation (DAW) Ableton Live software. It focuses on the practice carried out by Barga Sastrawadi, a musician and composer in the experimental music group Kadapat. A qualitative approach is used to explore the creative process, technical aspects, and artistic considerations in the modification. Research methods: Data were collected through in-depth interviews, Ableton Live patch observations, and a study of the potential and limitations of digital resonators. Results and discussion: This study shows that digital resonators can be an effective alternative to overcome the mobility limitations of gender wayang instruments without completely eliminating their distinctive sound quality. The use of this technology also presents challenges such as changes in the physical interaction of players and high technical demands. Implication: Digitalization of gamelan is not only a technical solution, but also a form of cultural adaptation that opens up new possibilities in contemporary music practice.
PROSES PENCIPTAAN KOMPOSISI KRAAAK! OLEH GRUP EKLIPTIKLANG COLLECTIVE Hanuraga, Sri; Pambayun, Wahyu Thoyyib; Sukawiadnyana, I Gede Yogi; Srayamurtikanti, Ni Nyoman
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 24 No. 2 (2024): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v24i2.6453

Abstract

The creation of musical compositions can be inspired by various motives, both internal and external. The composition titled “Kraaak!” is a work by the music group Ekliptiklang Collective, commissioned by MelatiSuryodarmo and Rebecca Kezia as curators for the Ekayana program of the Indonesia Bertutur Festival in 2024. Thiscommission required the Ekliptiklang Collective to incorporate the intangible cultural heritage of Bali, specifically theSubak Bali concept. Through the dissertation by Mawiti Infantri Yekti, titled “Role of Reservoir Operation inSustainable Water Supply to Subak Irrigation Schemes in Yeh Ho River Basin,” Ekliptiklang Collective discoveredthat Subak is an organization of water users for fields of its members to obtain water from the same source, which hasa complex structure that ensures both autonomy and, at the same time, interdependence among its members. Thisstructure was then adapted by Ekliptiklang Collective to create a long-duration composition that integrates threedifferent musical traditions and four personal reflections on water from the regions of each member of the group.
Co-Authors Hanuraga, Sri Srayamurtikanti, Ni Nyoman Wahyu Thoyyib Pambayun