<![CDATA[The Savage Detectives and 2666 by Roberto Bolaño build a transnational literary cartography that carefully studies violence, memory, and exile in international as well as Latin American settings. These novels represent such a “wild” literary space that is beyond national borders, inhabited instead by poet-wanderers treading landscapes of exile and violence. 2666’s vast, fractured narrative strategically represents suffering from a global perspective and elsewhere in its account of the femicide in the imaginary Santa Teresa, Mexico. Its violence, physical and symbolic, is knotted with historical trauma and memory, following Charles Tripp’s idea of violence as a producer of freedom, identity, and language. Bolaño’s work is colored by Giorgio Agamben’s formulation of destitute power, with his poet-protagonists debunking hegemonic stories and realizing radical ungovernability. From this perspective, Bolaño critiques nationalism, and positions his characters in in between spaces where identity politics, memory and globalization are questioned. His border-crossing poetics deconstruct text unpolitical borders, and participate in world literature theories on center-periphery relations. Bolaño is portrayed as a latecomer to the literary “Greenwich meridian,” and yet through his essentially marginal and global perspectives, he in turn has deeply recast this axis. Therein lies the importance of Bolaño’s literary cartography: the manner in which it confronts the normalized barbarism of our time and its rejection of historical oblivion. Residentially dislocated by military campaigns in his home country, M.'s own fragmented (fugal) storytelling of multiple voices and open-ended stories reiterates the ongoing Ness of trauma and the moral responsibility of witnessing. Bolaño’s fictions, in the end, demonstrate literature’s ability to “map” where violence, memory, and transnationality intersect, revealing important information about the global socio-political fabric of today. His work defies not just the conventions of the literary, but the very limitations of literature, and indeed the function of storytelling in a world ruled by globalized injustice.]]>
