Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM)
R. Indriyanto
Unknown Affiliation
Arts

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Bentuk Pertunjukan Barong Singo Kubro di Desa Balongrejo, Kecamatan Banjarejo, Kabupaten Blora Widya Ayu Angelica; R. Indriyanto
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.5679

Abstract

The art of barongan is a form of art found in Blora Regency, Central Java. One of the barongan groups that still exists today is the Barong Singo Kubro. It is a form of traditional performing art that has developed in Balongrejo Village, Banjarejo District, Blora Regency. The performance has an initial pattern, a core pattern, and a final pattern, and it contains elements of performance such as themes, characters, movements, costumes, make-up, stage arrangement, and props. This research aims to describe the form of the performance. The approach used is descriptive qualitative with techniques of observation, interviews, and documentation. The results of the study indicate that the performance is arranged in a colossal manner, consisting of an opening barong, small bujangganong, large bujangganong, kerah barongan, jaranan, dadak merak, extreme attractions, and a closing barongan.
Makna Simbolik Properti Tari Grombyang Pemalang di Sanggar Seni Kaloka Pemalang Annisa Yuriskia Fadilla; R. Indriyanto
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 1 (2026): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i1.9047

Abstract

This study is motivated by the limited public understanding of the symbolic meaning of properties used in the Grombyang Dance of Pemalang, where most audiences merely enjoy the performance without recognizing the cultural values embedded within it. This research aims to examine and explain the symbolic meanings of the properties used in the Grombyang Dance of Pemalang as performed at Sanggar Seni Kaloka Pemalang. The method employed is a descriptive qualitative approach using semiotic analysis based on Charles Sanders Peirce, with data collection techniques including observation, interviews, and documentation. The results of the study indicate that the performance structure of the Grombyang Dance of Pemalang consists of three main parts: the opening, the core, and the closing, supported by various elements such as theme, movement, performers, makeup, costume, musical accompaniment, stage setting, and properties. The semiotic analysis reveals that the symbolic meaning of the properties can be understood through the relationship between representamen, object, and interpretant. The main property, the irus (ladle), functions as a symbol that not only represents the act of scooping Grombyang soup but also carries a belief-related meaning as a bringer of fortune in trading activities. In conclusion, the properties in the Grombyang Dance of Pemalang serve not only as aesthetic elements but also as a medium of symbolic communication that reflects cultural, social, and belief values within the community. Therefore, they are important to be preserved and more deeply understood by the public.
Co-Authors Annisa Yuriskia Fadilla Widya Ayu Angelica