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All Journal Global Art Creativity Conference
Sahiddan, Nurhanis
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Arts Humanities

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Ananta Toer in Malaysia: Humanist Ideology, Reception History, and His Position in the Nusantara Literary Discourse Awang Pawi, Awang Azman; Sahiddan, Nurhanis; Muhamad Nik Affendi Pi, Nik Rafidah
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.622

Abstract

This paper Pramoedya Ananta Toer, a major literary figure in Indonesia, has made significant contributions to the Malay literary world through works that champion social justice, nationalism, and historical consciousness. In Malaysia, his works have found a place in educational and academic domains despite being banned or rejected in his home country during the New Order regime. This study traces the reception history of Pramoedya’s works in Malaysia, identifies the ideological factors shaping this acceptance, and analyses how he has been appreciated by Malaysian scholars. Using a qualitative approach combining in-depth interviews, textual analysis, and documentary research, this article argues that Pramoedya’s contributions are valued not merely through the lens of political controversy, but from perspectives of humanism, postcolonial values, and regional literary solidarity within the Malay world.
The Idea of Home and Displacement in Anak Semua Bangsa by Pramoedya Ananta Toer Sahiddan, Nurhanis; Azman Awang Pawi, Awang
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.639

Abstract

This paper explores the thematic construction of home and the experience of displacement in Anak Semua Bangsa (Child of All Nations) by Pramoedya Ananta Toer. As the second novel in the Buru Quartet, the text continues the journey of Minke, a native intellectual negotiating his identity amid the turbulence of Dutch colonial rule. The narrative presents home not merely as a physical dwelling, but as a contested ideological space shaped by race, power, and colonial epistemology. Through the characters of Minke and Nyai Ontosoroh, the novel interrogates how colonial structures displace native subjectivities, both literally and symbolically, resulting in fragmented identities and shifting notions of belonging. Drawing on postcolonial theories by Homi Bhabha and Edward Said, this paper examines how colonial modernity fractures indigenous connections to home while simultaneously generating hybrid spaces of resistance and redefinition. The analysis focuses on selected episodes that highlight exile, inheritance, and spatial marginalization, revealing how Pramoedya reclaims the narrative of home as a political site of cultural assertion. Ultimately, the study situates Anak Semua Bangsa within broader world-literature paradigms by showing how Indonesian anti-colonial resistance resonates through the language of displacement, memory, and imagined return.
Co-Authors Awang Pawi, Awang Azman Azman Awang Pawi, Awang Muhamad Nik Affendi Pi, Nik Rafidah