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Dari Objek Kekuasaan ke Subjek Perlawanan: Agensi Perempuan dalam Lakon Kethoprak Rara Mendut-Pranacitra Ningsih, Santini Ayu; Purnomo, Sucipto Hadi; Widagdo, Sungging
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.473

Abstract

Traditional kethoprak performances often portray women as passive figures, but the play Rara Mendut-Pranacitra challenges this by presenting an active female protagonist. This study analyzes how the central character, Rara Mendut, demonstrates female agency by fighting for her desires and freedom against a patriarchal social structure. Using a qualitative, descriptive-analytical approach grounded in Anthony Giddens's theory of agency, the research examines specific dialogues and scenes from a performance available on the Balkam TV YouTube channel. The analysis reveals that Rara Mendut exhibits her agency through three key indicators: reflective agency (subtly rejecting marriage proposals), symbolic negotiation (using humor to challenge authority), and personal decision-making (gaining economic independence). Her ultimate act of agency is her radical choice to control her own destiny. The findings confirm that traditional performing arts can serve as a powerful medium for female resistance. This study demonstrates that female characters in Javanese narratives are not merely passive objects but active agents capable of shaping social structures from within, providing a valuable theoretical perspective beyond traditional feminist criticism.