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Analisis Hate Comment Bagi Pengguna Platfrom Instagram Terhadap Kepercayaan Diri Mahasiswa FIS UINSU Stambuk 2021 Syahla Hidayah; Yulia Permata Sari; Heny Anggreni Butar-Butar; M. Nur Badawani Siregar; Melisa Naibaho; Adnan Hasmuri Siregar; Sandy Yudha
Jurnal Ilmu Komunikasi Dan Sosial Politik Vol. 2 No. 3 (2025): Januari - Maret
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jiksp.v2i3.2077

Abstract

This study aims to analyze the impact of hate comments on Instagram on the self-confidence of students from the Faculty of Social Sciences (FIS) at Universitas Islam Negeri Sumatera Utara (UINSU), class of 2021. Using a descriptive qualitative method, the research identifies psychological impacts experienced by students, such as anxiety, stress, and low self-esteem. The study also highlights strategies that students can employ to mitigate these impacts, including digital ethics education, digital literacy, and social support. The findings reveal that hate comments affect not only individual psychological conditions but also their social relationships. To address this issue, a holistic approach is required, including enhancing digital literacy and implementing protective policies on social media platforms.
SEMIOTIC ANALYSIS OF RELIGIOUS SCENES IN THE FILM "SURAT KECIL UNTUK TUHAN" Melisa Naibaho; Nurhanifah Nurhanifah
Journal Analytica Islamica Vol 14, No 2 (2025): ANALYTICA ISLAMICA
Publisher : Program Pascasarjana UIN Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30829/jai.v14i2.25546

Abstract

This study aims to examine the symbolic meanings within religious scenes in the film Surat Kecil untuk Tuhan (A Little Letter to God) using Roland Barthes' semiotic approach. The film, based on the true story of a teenage girl named Keke who suffers from cancer, presents various religious symbols such as prayer, places of worship, a letter to God, and other spiritual expressions. The analysis is conducted through three levels of meaning: denotative (literal meaning), connotative (emotional and cultural meaning), and myth (ideological meaning). The findings reveal that these religious symbols are not merely decorative visual elements but serve as powerful conveyors of spiritual messages about faith, hope, sacrifice, and tolerance. The film effectively constructs a touching and humanistic religious narrative, offering viewers a medium for reflection on the values of life and spirituality.