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Wimbrayadi
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BENTUK PERTUNJUKAN MUSIK PANCARAGAMDALAM ARAK-ARAKAN PENGANTEN DI KECAMATAN PAUH KOTA PADANG Nisa, Hafiza Nurul; Wimbrayadi
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/4qkxt912

Abstract

This research aims to describe the form of the pancaragam music performance in the wedding procession in Pauh sub-district, Padang City. The type of research used is qualitative with a descriptive method. The instruments for this research are the research themselves, supported by additional instruments such as writing tools and a camera. Data is collected through literature studies, observation, interviews, and documentation. The steps for analysing the data are collecting data, identifying data, clarifying data, describing data, and concluding data. The results of the research show that the form of the Pancaragam music performance in Pauh sub-district is flexible and does not have a fixed song structure. The performance is adjusted to the rhythm of the procession, consisting of an introduction, main theme, and transitions of songs that change spontaneously according to the mood or requests of the audience. The music played is repetitive in nature, using main instruments such as saxophone, trumpet, trombone, baritone, and drums as the main accompaniment for the procession. The style of the music ensemble performance demonstrates a distinctive musical hybridity, which is the fusion of Minangkabau traditional music, popular music such as dangdut and modern pop, as well as Western music elements. This style is reflected in the techniques of playing instruments, improvisation during performances, and the interaction between players and the audience which creates a dynamic and festive atmosphere. The music ensemble not only serves as entertainment in traditional ceremonies but also acts as a symbolic medium to strengthen social relationships within the Pauh community, as well as reinforce local cultural identity amid the influences of global culture.
NILAI-NILAI BUDAYA PADA TRADISI ACARA POTANG BALIMAU  MASYARAKAT MELAYU DI KECAMATAN UJUNGBATU Rupiana; Wimbrayadi
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/1s95gq53

Abstract

This research aims to describe the values contained in the Balimau Potang traditional event in the Malay community of Ujung Batu District. This type of research is qualitative with a descriptive analytic method. The instruments for this research are the researcher themselves, supported by writing tools, a flash drive and a camera. Data collection techniques include literature study, observation, interviews, and documentation. The steps in data analysis are data collection, data reduction, and drawing conclusions. The research results show that the Balimau Potang tradition in Ujung Batu District contains various important values that reflect the richness of culture and the social life of the community. The cultural values of the Balimau Potang event tradition are a blend of spiritual, ethical, moral, norms, and customs. The spiritual values in this tradition foster a spirit of self-purification in the lead-up to Ramadan. Balimau reflects a symbol of repentance and inner and outer cleansing that strengthens the relationship between humans and God. Moral and ethical values teach the importance of maintaining good behaviour, courtesy, especially when gathering together for religious and cultural activities. The social normative values of balimau reinforce the community's adherence to religious and social norms, such as dressing modestly, respecting elders and community leaders, and maintaining order during events. The values of togetherness and mutual cooperation in the potang balimau event illustrate the solidarity of the community through collective participation in preparing the event, both physically and spiritually, reflecting local wisdom and the spirit of unity. The values of customs in this tradition embody the preservation of local culture that is passed down through generations. Cultural values are reflected in the implementation of professions, the use of regional languages, performing arts, and the active role of cultural figures (ninic mamak).
Co-Authors Nisa, Hafiza Nurul Rupiana