Article Per Year (5 Year)
p-Index From 2020 - 2025
0.408
P-Index
This Author published in this journals
All Journal Musica: Journal of Music
Manalu, Kartini R M
Unknown Affiliation
Arts

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Singing Techniques in the Performance of the Song Napinaborhat ni Hapogoson by Jen Manurung Silaen, Ondyhon Holong; Manalu, Kartini R M; Nainggolan, David Boy
Musica: Journal of Music Vol 5, No 1 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i1.5522

Abstract

Penelitian ini membahas tentang Teknik Bernyanyi Pada Penyajian Lagu Napinaborhat Ni Hapogoson Karya Jen Manurung. Teknik Bernyanyi yang digunakan pada pernyajian karya ini di antaranya sikap tubuh, pernafasan diafragma, artikulasi, intonasi, resonansi, tanda dinamika, dan frasering. Metode penelitian yang digunakan adalah kualitatif deskriptif. Teknik pengumpulan data yang digunakan adalah observasi, pelaksanaan resital dan dokumentasi. Melalui pelaksanaan resital vokal, hasil penelitian yang diperoleh adalah penerapan teknik dinamika dan teknik pernafasan diafragma. Penulis juga membahas mengenai kesulitan yang dialami pada saat pelaksanaan resital dan solusi yang yang dilakukan dalam meminimalisir kesulitan tersebut. Dengan demikian, disimpulkan bahwa dapat diterapkan dengan baik dan tepat teknik bernyanyi pada Penyajian lagu Napinaborhat Ni Hapogoson karya Jen Manurung
Aransemen Lagu “Holan Dak-Danak” Dalam Format Paduan Suara Dengan Iringan Orkestra Shandy Marbun, Mia Lily; Manalu, Kartini R M; Galingging, Kamaluddin
Musica: Journal of Music Vol 5, No 2 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i2.6018

Abstract

This study explores the arrangement of the church song Holan Dak-danak in a choir format with orchestral accompaniment as an effort to enrich the presentation of sacred music in the church. Musical arrangement is understood as a process of reworking a composition by providing variations in harmony, texture, and certain techniques without eliminating the essence of the original song. The song Holan Dak-danak from the Buku Ende was arranged using several techniques such as pizzicato, poco rall, and modulation. In addition, this research also involved the arrangement of other hymns such as Mampirlah Dengar Doaku, Tanganku Na Met-met, Loas Ro Tu Au Dak-danak, and Di Doa Ibuku, which were selected for their theological value and spiritual message. The results show that arranging church songs in choir format with orchestral accompaniment creates a new dimension of musical expression, adds dynamic colors, and enriches the liturgical atmosphere of worship. The inclusion of string, wind, and rhythmic instruments in the arrangement successfully deepens musical interpretation, thereby enhancing the congregation’s appreciation, especially among Sunday school children. This finding confirms that creative arrangements not only beautify the presentation of worship music but also serve as a medium of faith formation and a learning tool for young generations in sacred music
Co-Authors Galingging, Kamaluddin Nainggolan, David Boy Shandy Marbun, Mia Lily Silaen, Ondyhon Holong