kamalia, mirza fathima jauhar
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DOMINASI TERHADAP PEREMPUAN YANG DIASOSIASIKAN DENGAN ALAM PADA FILM AVATAR (2009): KAJIAN ECOFEMINISME kamalia, mirza fathima jauhar
Jurnal Ilmiah Lingua Idea Vol 7 No 2 (2016): Desember
Publisher : Fakultas Ilmu Budaya Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (561.257 KB) | DOI: 10.20884/1.jili.2016.7.2.495

Abstract

Avatar movie (2009) reveals the discourse about the women assossiated with the nature. This study uses Ecofeminism theory to answer the problem above. This study uses qualitative approach added with the discourse analysis method by Sara Mills to look for the subject and object position between the women associated with the the nature and the men in the movie. The data source of this study is Avatar movie by James Cameron supported with the books of the theory used in this study. The results of this study show that this movie always tries to perpetuate the position of the women who naturally have association with the nature that can be seen through the characters of Grace and Neytiri. Grace is described as the scientist who definitely has passion and love towards the nature until she can memorize every type of creature in the planet of Pandora and can understand their feeling well. Neytiri is described as the one who has intimate relation with the nature until she can do something impossible to do with it that the others cannot do. Their “special” ability does not make them has the power towards the others because there are the men who is identified themselves as the subject and identified Grace and Neytiri as the object and mediator to get the power and everything they want.
The Social Messages in The Ramayana: Perspektif on Literary Theory Mirza Fathimajauhar Kamalia; Wildayati Wildayati; Artha Fernando; Iskamar Iskamar; Ismi Imroatus Saada
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 1 No. 1 (2019): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (237.51 KB) | DOI: 10.15642/suluk.2019.1.1.11-18

Abstract

The story of Ramayana has been deeply rooted in the community and is a material for literary studies that has never completed for discussion. In Java the epic, Ramayana first fully appeared in the form of a relief at the Lara Jonggrang Temple which was built around the year 782 to 872.The other emergence about the Ramayana story was in the composition which was in the form ofRamayana kakawin in Old Javanese. The Ramayana story begins with a blessing and a preface including a summary of the story which then contains verses of poetry. This study aims to convey the social messages contained in the Ramayana story to the public. This study uses qualitative research method based on the study of literature in the book of P. Lal (1981) which has been translated into Indonesian. The results of this study are (1) Explaining the social messages contained in the Ramayana story, (2) Explaining the exemplary wisdom of the character Rama, (3) Explaining the exemplary loyalty of the character Sita, (4) Explaining the example of Rahwana's character in the form of perseverance and sincerity in loving Sit, (5) Explaining ibrah (lessons) from the Ramayana story so that it can be used as the life learning. Overall, it can be understood that in the Ramayana there are many social messages that can be used as the exemplary life.
DOMINASI TERHADAP PEREMPUAN YANG DIASOSIASIKAN DENGAN ALAM PADA FILM AVATAR (2009): KAJIAN ECOFEMINISME mirza fathima jauhar kamalia
Jurnal Lingua Idea Vol 7 No 2 (2016): Desember
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (561.257 KB)

Abstract

Avatar movie (2009) reveals the discourse about the women assossiated with the nature. This study uses Ecofeminism theory to answer the problem above. This study uses qualitative approach added with the discourse analysis method by Sara Mills to look for the subject and object position between the women associated with the the nature and the men in the movie. The data source of this study is Avatar movie by James Cameron supported with the books of the theory used in this study. The results of this study show that this movie always tries to perpetuate the position of the women who naturally have association with the nature that can be seen through the characters of Grace and Neytiri. Grace is described as the scientist who definitely has passion and love towards the nature until she can memorize every type of creature in the planet of Pandora and can understand their feeling well. Neytiri is described as the one who has intimate relation with the nature until she can do something impossible to do with it that the others cannot do. Their “special” ability does not make them has the power towards the others because there are the men who is identified themselves as the subject and identified Grace and Neytiri as the object and mediator to get the power and everything they want.
Relasi Kuasa Perkawinan Anak di Bawah Umur dalam Novel I Am Nujood, Age 10, and Divorced Mirza Fathima Jauhar Kamalia
BUANA GENDER : Jurnal Studi Gender dan Anak Vol. 2 No. 1 (2017)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (502.274 KB) | DOI: 10.22515/bg.v2i1.785

Abstract

Child marriage can be seen as an oppression that not all women in the world will experience it. It happens only in poor and traditional countries like in Yemen. Child marriage in Yemen is clearly described in me Nujood, Age 10, and the Divorce novel. Behind the phenomenon of child marriage, there are several relations of relationships that run it from generation to generation. This study aims to find the power relationships behind the marriage of my child that is Nujood, Age 10, and Divorce. This study uses qualitative methods and readings as data collection. The results of this study indicate that there are three power relationships behind the marriage of children: child marriage as a form of preservation of tradition from generation to generation, marriage of children as a solution to the difficulties of the family financial condition, and marriage of children as a form of preservation of illiterate women.
THE WEST DOMINATION TOWARDS THE EAST IN LIFEBUOY CLINI-SHIELD 10 ADVERTISEMENT: ORIENTALISM STUDY Kamalia, Mirza Fathima Jauhar
JURNAL ILMU BUDAYA Vol. 3 No. 2 Des (2015): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v3i2 Des.2425

Abstract

Lifebuoy Clini-Shield 10 soap claims that its product kills the bacteria and protects the skin ten times better than any other famous anti bacterial soaps. The advertisement chooses to use the West researcher as the model who finds the new technology called as Activ Naturol Shield inorder to attract and convince the buyers and use the East people as the object of the research. Furthermore, Lifebuoy Clini-Shield 10 is shown as the result of product by the West researcher and as the solution for the health problem. This study aims to explain the image of the Westdomination depicted in Lifebuoy Clini-Shield 10. This study will use the theory of Orientalism by Edward Said to answer the problem above. This study uses qualitative method supported with the data of the advertisement video, as the main source of the data, and some information from the website of the Lifebuoy Indonesia. The results of the study show that the West is depicted as the leader, the source of the knowledge and the inventor of the technology through the Westresearcher. As the effect, people will internalize the hegemony that the West is the most superior nation among the other nations whose people born to lead the world and the East will consider themselves as the inferior nation and must depend on to the West to solve every problem thatthey have.Keywords: Domination, Orientalism, Superior, Advertisement.
Decoding the Perpetuation of Patriarchal Culture in the Barbie Movie Myisha, Nabila; Sabila, Dinda; Maharani, Angelia Brigita; Ramadhan, Akira Hilal; Kamalia, Mirza Fathima Jauhar
Cultural Narratives Vol. 1 No. 2 (2023): December
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i2.617

Abstract

This research aims to analyze the representation of patriarchal culture in the Barbie film through a semiotic study that uses Roland Barthes’ theory. Roland Barthes developed semiotic theory into three parts, namely denotation, connotation, and myth, but in this study, the researchers only utilized connotation and denotation. This research uses a descriptive qualitative method. The data was taken from the scenes and script of the Barbie 2023 film. The researchers collected data by watching the film, observing the characters in every scene and the script, then taking some notes to categorize the semiotic symbols based on Roland Barthes' theory and analyzing the research data. The results of this research show that despite the movie "Barbie," association with feminism, it does not change the fact that the movie still embodies a patriarchal culture that harms women. This cultural framework perpetuates traditional gender roles, positioning men as leaders, decision-makers, and primary providers while assigning women subordinate roles. In patriarchal cultures, male privilege is ingrained, leading to the marginalization and subjugation of women. This entrenched culture of male privilege influences deep-rooted misogyny, sexism, and societal expectations.