Article Per Year (5 Year)
p-Index From 2021 - 2026
0.751
P-Index
This Author published in this journals
All Journal Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Bendi Yudha, I Made
Unknown Affiliation
Arts Humanities

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
FLOWER METAPHOR INSPIRATION IN FINE ARTS Putra, Anak Agung Ramanda; Mudana, I Wayan; Bendi Yudha, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4494

Abstract

This report is written to explain the creation of a work of art with the theme "Flower Metaphor Inspiration in Fine Arts". This topic is inspired by the author's experience when he listened to stories from his friends and books that talk about the meaning of flowers. Metaphor is a figure of speech that uses words or groups of words with figurative meanings, not their real meanings, to describe something by comparing it to something else. The flower metaphor is argued here as a small part that is almost the same as a colorful life journey. This work identifies how the flower metaphor is a meaning that produces the expression of a woman's feelings through creativity and imagination in artwork. There is one work that will be produced in the form of a painting. Each work will use various techniques and media, based on the essence and principles of fine art. More specifically, this report covers how artists use artwork to express the flower metaphor that represents a woman's feelings. Thus it can be seen that every visual artwork of the flower metaphor can appear in a smile, disappointed, disappointed, broken, love. Therefore, the other side of this artwork can help to do an in-depth and interpretive analysis on this painting, and strictly speaking, this will allow to gain an understanding of the complexity of the flower metaphor that is the inspiration in this work.
EVOLUTION TOWARDS FREEDOM: SUN GOKONG AS A SYMBOL OF HUMAN BEHAVIORAL TRANSFORMATION AS INSPIRATION FOR SCULPTURE CREATION AT THE LABDA SCULPTURE STUDIO Frasnanda, Nyoman Ferry; Bendi Yudha, I Made; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.5997

Abstract

This study aims to create a series of sculptures that represent the philosophical concept of freedom through the symbolic transformation of human behavior, using the character of Sun Gokong as the central figure. The research adopts a practice-based approach combining additive and subtractive sculpting techniques. Various materials, including aluminum wire, resin, gypsum, and clay, were used to construct six sculptures representing stages of human development from primitive existence to spiritual awareness. The results demonstrate that the sculptural series visualizes a gradual transformation of human consciousness, from instinctive behavior to rational and spiritually mature conditions. The final sculpture depicting Sun Gokong symbolizes the attainment of self-control and inner liberation. This study confirms that sculpture can function not only as an aesthetic object but also as a medium for philosophical reflection on human transformation and the meaning of freedom in contemporary life.
Expressing the Essence of Classical Gambuh Dance Drama through Batuan Traditional Painting Barde, Ashlesha; Purnami Utami, Ni Made; Bendi Yudha, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.6001

Abstract

This independent study project explores how the essence of Gambuh, Bali’s oldest and most sacred dance-drama, can be interpreted through the lens of traditional Batuan painting. Motivated by a desire to preserve and reinterpret cultural heritage, this project focuses on visualizing six main characters, Putri Rangkesari, Panji, Condong, Prabhu Lasem, Kade-Kadean, and Arya, each rendered with deep attention to gesture, costume, and symbolic presence. The research employs a method rooted in artistic creation, combining aesthetic approaches such as heuristic, hermeneutic, and symbolic exploration with field observations and traditional mentorship. The creative process followed three key stages: exploration through direct observation of Gambuh performances and Batuan traditional painting studios; improvisation through sketching and experimenting with visual composition; and forming, where the final works were developed using Chinese ink and watercolor on watercolor paper and canvas in the Batuan style. The artworks produced do not merely document the characters but reinterpret them as reflections of emotional and philosophical dimensions relevant to today’s social reality. This project concludes that Batuan painting offers a powerful visual medium to convey the layered narratives of Gambuh, enabling the audience to engage with classical themes of love, power, longing, and moral conflict through a contemplative visual experience.
Strategy for Developing Traditional Concrete Sculptures in Yan Dede's Studio Setia pradnyana, Putu Heri; Mudana, I Wayan; Bendi Yudha, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.6014

Abstract

This study aims to analyze the process of creating symbolic concrete sculptures at Yan Dede Studio through an artistic practice approach. The research focuses on the development of conceptual ideas, material exploration, and technical realization in producing sculptures with socio-cultural meaning. The method used in this research follows four stages of artistic creation: exploration, experimentation, realization, and evaluation. Data were collected through observation of the sculpting process, documentation of artistic development, and reflective analysis of the final artwork. The results show that the sculpture represents a symbolic critique of human moral conflict through the hybrid figure of a human body combined with a pig’s head holding a rooster. The work reflects the duality of human nature between rationality and instinct. This study confirms that artistic creation in concrete sculpture can function as a medium for social reflection and cultural expression in contemporary art practice.
Co-Authors Barde, Ashlesha Drs. I Wayan Mudana,M.Si. . Frasnanda, Nyoman Ferry Mustika, I Ketut Purnami Utami, Ni Made Putra, Anak Agung Ramanda Setia pradnyana, Putu Heri