Dewi, A.A. Sagung Shanti Sari
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Verbal and Non-Verbal Sign in “Elemental” Movie Posters Wiradinata, I Kadek Adhitya; Utami, Gek Wulan Novi; Dewi, A.A. Sagung Shanti Sari
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 3 No. 8: Juli 2024
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v3i8.4406

Abstract

The title of this study is Verbal and Non-Verbal Signs In “Elemental” Movie Poster. This study is focused on the analysis of verbal and non-verbal signs found in movie posters and the meaning of the signs. There are two aims of this study, they are to identify the verbal and non-verbal signs and explain the meaning of the verbal and non-verbal signs in these movie posters. The data in this study were in the form of images of Elemental movie posters. In this study, there were three movie posters were discussed. Documentation method was used to collect the data. The collected data were analyzed qualitatively based on the theory of semiotic by Saussure, the theory of verbal and non-verbal signs by Dyer, and the theory of color meaning by Cerrato. The result shows that there are two types of signs found in those movie posters namely verbal and non-verbal signs. There are eight verbal signs found in these movie poster, namely “Opposites React”, “Disney”, “PIXAR”, “ELEMENTAL”, “2023”, “Get Fired Up”, “Only In Theater June 16” Those verbal signs give the information to the people about the title of the movie, creator of the movie, and the name of the company, the year of the movie released, the elements of the characters in the movie, the date of the movie released. The nonverbal sign in movie posters consists of appearance, manner, activity, and background.
Figurative Language in The Greatest Showman Movie Shafiyya, Nasywa Fairuz; Dewi, A.A. Sagung Shanti Sari; Nyoman Tri Ediwan, I
Jurnal Ilmiah Wahana Pendidikan Vol 12 No 3.A (2026): Jurnal Ilmiah Wahana Pendidikan
Publisher : Peneliti.net

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The present undergraduate thesis entitled Figurative Language in The Greatest Showman Movie is focused on the analysis of the figurative language proposed by Knickerbocker and Reninger (1959) contained in the movie. In dealing with communication, whether in formal or informal settings, people express or use language that contains meanings beyond its real definition through metaphors, hyperbole and so forth. Figurative language is a figure of speech that implies more than the dictionary definition. Figurative language is also widely used by movie scriptwriters to convey deeper messages and enhance emotion. The study used a descriptive qualitative method to analyze the data with the movie called The Greatest Showman being the primary data. The data were collected using a note-taking technique and an informal method was used to present the analysis of the collected data by explaining descriptions of each data thoroughly. The result revealed the findings included all types of figurative language proposed by Knickerbocker and Reninger. There were 29 data found with varying amounts for each type. Metaphor is the most predominant type found in the movie.