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Artati, A.A.Ayu Mayun
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Arts Humanities

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Legong Kreasi Mahisamanggala Leslyani, Ni Putu; Arshiniwati, Ni Made; Artati, A.A.Ayu Mayun
Jurnal IGEL : Journal Of Dance Vol 1 No 1 (2021): Terbitan Pertama Bulan Juni
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (294.281 KB) | DOI: 10.59997/journalofdance.v1i1.805

Abstract

Tari Legong Kreasi Mahisamanggala adalah tari yang ditarikan oleh enam orang penari putri, yang terinspirasi dari ritual Kebo Dongol di Desa Adat Kapal, Kecamatan Mengwi, Kabupaten Badung. Tari ini hanya mengangkat inti sari dari ritual Kebo Dongol sebagai ide garapan yang terdiri dari penari yang menarikan sesajen, bentuk sesajen yang menyerupai kerbau, pertemuan sesajen Kebo Dongol dan Pedang Sudamala serta adanya megarang-garangan sesajen. Berorientasi dari pemikiran tersebut, maka terciptalah hasil penciptaan berjudul Mahisamanggala. Mahisamanggala merupakan istilah lain untuk menjelaskan Ritual Kebo Dongol. Tari Legong Kreasi Mahisamanggala tercipta menggunakan prinsipprinsip metode angripta sesolahan yang terdiri dari Ngarencana yaitu proses awal penjelajahan sumber yang mendukung penciptaan, Nuasen merupakan upacara ritual yang dilakukan sebelum berproses, Makalin merupakan proses pemilihan materi yang mengandung terciptanya karya tari, Nelesin yaitupenggabungan untuk menentukan bentuk ciptaan dan Ngebah merupakan pementasan pertama dari sebuah hasil karya tari. Penggarapan Tari Legong Kreasi Mahisamanggala dikemas dalam lima struktur terdiri dari pepeson, pengawak, pengetog, pengecet, pekaad. Secara keseluruhan, karya tari Legong Kreasi Mahisamanggala digarap tidak bercerita, namun disajikan secara dramatik dengan menggunakan mode penyajian simbolik. Tujuan dari penciptaan tari Legong Kreasi Mahisamanggala adalah untuk memperkenalkan kepada masyarakat, bahwa ritual Kebo Dongol memiliki nilai-nilai filosofi dan estetika yang tinggi, sekaligus melestarikan kesenian dengan memuat budaya lokal.Kata Kunci : Ritual Kebo Dongol, Penciptaan, Legong Kreasi Mahisamanggala.
Tari Kreasi Ngelinyar Eka Wahyuningsih, Ni Luh Putu; Arshiniwati, Ni Made; Artati, A.A.Ayu Mayun
Jurnal IGEL : Journal Of Dance Vol 1 No 1 (2021): Terbitan Pertama Bulan Juni
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (276.063 KB) | DOI: 10.59997/journalofdance.v1i1.817

Abstract

The creative source of this dance work comes from the creator's personal experience by seeing firsthand how the character Liku dances on stage in such a unique and eccentric style and has had several opportunities to support the dance test at ISI Denpasar. The experience gave the creator an idea to create a dance work that shows how bright female characters is klinyar. The word klinyar has meanings, namely nglinyar which means lively and maklinyaran which means flirty, with a special view of girls. The process of realizing it into a dance work using the method of creation by applying the principles of angripta-sesolahan, among others: ngarencana (exploration), nuasen (ceremony before the improvisation process), makalin (improvisation), nelesin (forming), and ngebah (first performance). This dance work is packaged in the form of creative dance, with the theme of social life, which is danced by six female dancers. The selection of dancers is adjusted to the creator's body posture. The accompaniment music uses the Semara Pagulingan barungan combined with the strains of the gerong sound to make the musical atmosphere more memorable. The realization of this dance work is expected to provide awareness on how to judge someone not only from the outside, but it is better if we also know how the character is inside.Keyword : character, Liku, klinyar, creation.
SPIRIT RINDI Mahendra, I Kadek Oka; Ruspawati, I.A.Wimba; Artati, A.A.Ayu Mayun
Jurnal IGEL : Journal Of Dance Vol 1 No 2 (2021): Terbitan Kedua Bulan Oktober tahun 2021
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (424.539 KB) | DOI: 10.59997/journalofdance.v1i2.868

Abstract

Spirit Rindi dance is a legong dance in the form of a new creation that is danced by six male dancers which inspired from spirit of I Wayan Rindi in legong dance which play a role as figure condong. I Wayan Rindi comes from Banjar Lebah, Sumerta Village, Denpasar City. I Wayan Rindi is a legong dance which acting character legong other that he also as great teacher and educate their students with very good until become a good dancer. The purpose of the Spirit Rindi dance is to introduce the condong dance style I Wayan Rindi's to general public and to preserving classical arts, especially the legong dance.The dance work of Spirit Rindi was created through methode creation from Alma. M. Hawkins with tittle book Creating Through Dance which translated by Y. Sumandiyo Hadi tittled “Mencipta Lewat Tari”. In this methode consists from three step, that this step exploration, step experimental, step forming. Beside use methode also use theory of creation, among other theory aesthetics, theory transformation and than theory motivation. Spirit Rindi dance is divided becomes five structures, that this pepeson, pengawak, pengecet, pengetog, pekaad. Spirit Rindi dance accompanied by gamelan palegongan. The costumes used are red and brown, red which means the power of spirit and brown as a color sweet.Keyword: legong, creation, Spirit Rindi
Co-Authors Eka Wahyuningsih, Ni Luh Putu Leslyani, Ni Putu Mahendra, I Kadek Oka Ni Made Arshiniwati Ruspawati, I.A.Wimba