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Analisis Naratif Lirik Lagu Tak Selalu Memiliki dalam Studi Persepsi Penonton Fim Ipar adalah Maut Melani Ningsih; Leili Kurnia Gustini
Jurnal Ilmiah Teknik Informatika dan Komunikasi Vol. 5 No. 2 (2025): Juli: Jurnal Ilmiah Teknik Informatika dan Komunikasi
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/juitik.v5i2.1039

Abstract

This study aims to analyze the narrative meaning of the lyrics in the song Tak Selalu Memiliki from the perspective of viewers of the film Ipar adalah Maut. Utilizing a qualitative approach with a phenomenological method, the research explores the lived experiences of five informants who have watched the film & listened to the featured song. Data were collected through in-depth interviews & analyzed using thematic techniques to uncover emotional connections & constructed meanings in the viewers’ minds. The findings reveal that the lyrics of Tak Selalu Memiliki contain narratives of loss, sacrifice, & helplessness, which strengthen the moral message of the film Ipar adalah Maut. The song is perceived as an emotional representation that deepens the audience’s understanding of the characters’ inner conflicts. This study concludes that music can serve as a reflective medium that enriches the interpretation of a film’s narrative.
Representation of the Father’s Silent Treatment in the Film Dear Nathan: A Roland Barthes Semiotic Analysis MUHAMMAD BUCKY Al Farizi; Leili Kurnia Gustini
Dharmawangsa: International Journal of the Social Sciences, Education and Humanitis Vol 7, No 1 (2026): Social Sciences, Education and Humanities
Publisher : Universitas Dharmawangsa Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46576/ijsseh.v7i1.8435

Abstract

ABSTRACT This study aims to examine the representation of the father’s silent treatment in the film Dear Nathan, as well as to reveal the meanings constructed through this communication pattern. The research employs a qualitative method with a semiotic analysis approach. The analysis is based on the framework of denotation, connotation, and myth to interpret selected scenes that depict interactions between Nathan and his father. Data were collected through documentation techniques by repeatedly watching and observing relevant scenes, as well as identifying visual signs, verbal expressions, and cinematographic elements that represent silence as a form of communication. The analysis focuses on how these signs construct meaning within the narrative of the film. The results show that the father’s silent treatment is not merely an act of remaining silent or refusing to speak, but contains symbolic meanings such as emotional distance, authority, disappointment, and control within the family structure. At the level of myth, the film reflects and simultaneously reproduces an ideology that portrays the father as a firm figure with minimal emotional expression. This study concludes that film plays a role in constructing and naturalizing certain patterns of family communication while also opening space for critical reflection on their emotional impact. Keywords: film analysis, father figure, masculinity, representation, semiotics, silent treatment.