Garuda - Garba Rujukan Digital

Analisis Film Tiga Dara Tahun 1956 Karya Usmar Ismail: Pandangan Politiknya dan Kajian Unsur Male Gaze Marella, Arisanti; Kuardhani, Hirwan; Yudiaryani, Yudiaryani
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 18, No 1 (2024)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v18i1.12067

Tiga Dara merupakan sebuah film tahun 1956 yang disutradarai oleh Usmar Ismail, yang menceritakan tentang kisah asmara tiga bersaudara perempuan. Film telah dikenal sebagai media hiburan sejak jaman dahulu, film memiliki sejarah yang berpengaruh dalam kemajuan film di Indonesia. Pengaruh patriarki jaman dahulu sangat kental yang dapat menciptakan pandangan pria dalam industri film baik pengkaryaan di balik layar dan di depan layar. Penelitian ini menggunakan teori film yang di bagi menjadi dua yaitu unsur naratif dan unsur sinematik. Teori male gaze merupakan teori yang dicetuskan oleh Laura Mulvey. Male gaze muncul karena adanya pandangan mengenai sudut pandang pria dalam dunia film, tatapan pria muncul karena pengaruh patriarki yang melihat kekuasaan pria sehingga terlihat penggambaran mengenai perempuan dalam film. Film Tiga Dara menjadi contoh film yang dibuat sebagian besar pengkaryaan di depan maupun di balik layar yang di dominasi oleh pria yang akan berpengaruh dalam pandangan pria terhadap perempuan. Penelitian ini bertujuan untuk melihat pandangan pria dalam film Tiga Dara. Analysis of the 1956 film Tiga Dara by Usmar Ismail: political views and study of male gaze element.Tiga Dara is a 1956 film directed by Usmar Ismail, Tiga Dara tells the story of the romance journey of three sisters, film has been known as an entertainment medium since antiquity, film has an influential history in the progress of film in Indonesia. The influence of patriarchy in the past is very thick which can create a male view in the film industry both behind the scenes and in front of the screen. This research uses film theory which is divided into two, namely narrative elements and cinematic elements The male gaze theory is a theory coined by Laura Mulvey, the male gaze arises because of the view of the male point of view in the world of film, the male gaze arises because of the influence of patriarchy that sees male power so that there are depictions of women in the film. Tiga Dara is an example of a movie that was made mostly in front of and behind the scenes dominated by men, which will affect men's views on women. This study aims to look at men's views in Tiga Dara movie

Penciptaan Naskah Drama “Ibu dan Matematika” berdasarkan Fenomena Childfree dengan Semangat Pembebasan Tubuh Perempuan Nurrohmah, Syavira; Yudiaryani, Yudiaryani; Kuardhani, Hirwan
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 18, No 2 (2024)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v18i2.13408

“Ibu dan Matematika” adalah naskah drama yang mengeksplorasi hubungan antara peran-peran perempuan, cinta, dan fenomena tanpa anak dengan pendekatan dekonstruksi. Penulis mendekonstruksi konsep-konsep tradisional mengenai peran perempuan dalam hubungan di dalam rumah tangga, menyoroti ketegangan antara harapan sosial dan realitas tubuh perempuan. Fenomena tanpa anak menjadi fokus utama untuk memahami pilihan perempuan yang memutuskan untuk tidak memiliki anak, mengeksplorasi dinamika kompleks dalam masyarakat. Matematika, sebagai elemen tambahan, diintegrasikan ke dalam naskah sebagai simbol pemahaman diri dan eksplorasi identitas perempuan. Melalui dekonstruksi, matematika menjadi bukan hanya sebagai sarana komunikasi abstrak, tetapi juga sebagai refleksi perjalanan mencari makna dalam kehidupan perempuan. Semangat pembebasan tubuh perempuan tercermin dalam karakter yang memainkan peran sebagai ibu, menggambarkan ketegangan dan konflik dalam perjuangan menuju kebebasan di dalam masyarakat yang terkadang kadang membatasi. Teks ini menawarkan pandangan kritis terhadap stereotip tradisional dan norma sosial seputar tubuh perempuan.The Creation of the Drama Script “Ibu dan Matematika” Based on the Childfree Phenomenon with the Spirit of Women's Body Liberation“Ibu dan Matematika” (Mother and Mathematics) is a drama script that explores the relationship between women's roles, love, and the childfree phenomenon through a deconstructive approach. The author deconstructs traditional concepts of women's roles within household relationships, highlighting the tension between societal expectations and the realities of women's bodies. The childfree phenomenon becomes a central focus to understanding the choices of women who decide not to have children, delving into the complex dynamics within society. As an additional element, mathematics is integrated into the script as a symbol of self-understanding and the exploration of female identity. Through deconstruction, mathematics transcends its role as an abstract communication medium and reflects the journey to find meaning in women's lives. The spirit of women's body liberation is reflected in characters who play the role of mothers, portraying tensions and conflicts in the struggle for freedom within a society that sometimes imposes limitations.

Model Pembuatan Profil Ekowisata Berbasis Teknologi Drone Padukuhan Bleberan Desa Banaran Kabupaten Kulon Progo D.I.Yogyakarta Yudiaryani, Yudiaryani; Rino Pungkiawan, Pius; Islamy, Bunga
Dance and Theatre Review Vol 8, No 1: May 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i1.14083

Penelitian ini merupakan salah satu cara untuk menerapkan cara perancangan terpadu antara teknologi digital, seni, budaya, dan konsevasi hayati. Pentingnya pembuatan profil padukuhan dan kelurahan berdasarkan data potensi desa dan kelurahan, serta data tingkat perkembagan desa dan kelurahan. Berdasarkan identifikasi permasalahan, profil Desa Banaran terbaru telah memuat beberapa data dan informasi seperti yang dipersyaratkan dalam Permendagri Nomor 12 Tahun 2007. Namun, data lain masih belum lengkap. Oleh karena itu, tujuan dari kegiatan penelitian ini adalah melakukan pembuatan profil Padukuhan Bleberan Desa Banaran yang memuat data potensi desa secara teknologi drone, dan menyajikan data profil Padukuhan Bleberan Desa Banaran yang dapat diakses dalam versi elektronik digital. Metode yang digunakan adalah pengumpulan data sekunder, survei, dan wawancara. Evaluasi dari kegiatan ini dilakukan secara langsung pada saat kegiatan pembuatan profil, sehingga sesuai keingina n masyarakat sasaran. Pengunaan teknologi Komputer mampu menyimpan data secara permanen dan langsung diakses masyarakat. Dua pendekatan yang digunakan adalah pendekatan Teknologi Drone dan pendekatan Ekowisata Alam. Teknologi drone bertujuan memberikan informasi hasil analisa data spasial yang di analisis dalam aplikasi digital. Pendekatan Ekowisata adalah bentuk pariwisata yang penting untuk konservasi hayati. Dengan mendukung dan mempromosikan ekowisata, masyarakat mampu melindungi keanekaragaman hayati dan keindahan alam.Kata kunci: ekowisata; teknologi drone; model profil; dukuh Bleberan.

Strategi Penguatan Kreativitas Seniman Ketoprak DIY dari Tahun 1999 hingga Tahun 2009 Yudiaryani, Yudiaryani; Nurcahyono, Wahid; Purba, Sylvia Angreni
Dance and Theatre Review Vol 2, No 2: November 2019
Publisher : Institut Seni Indonesia Yogyakarta

Cultural identity in ketoprak performance should depart from all cultural products themselves. Strengthening the form of ketoprak performance in the middle of the era becomes important for artists in building their creativity. The strategy was designed so that people assume that ketoprak was theirs and able to be their representation. Based on the data collected, the number of groups, performances, and ketoprak artists in DIY were as follows. The number of groups in four districts and one municipality were 497 groups. The number of ketoprak showed from 1999-2009 was 145 times. The highest number of ketoprak groups was in Kulonprogo Regency, followed by Gunungkidul Regency, Bantul Regency, Sleman Regency, and finally the Municipality. The year 2005 was a milestone in the development of ketoprak to the present. The successful renewal of ketoprak shows can be seen by the number of shows which are 113 times over five years (from 2005 to 2009), which means that there were twenty ketoprak shows every year, and every month there were two ketoprak shows. The condition was triggered by several factors as follows. First, local government awareness to determined the icon of DIY tourism as part of globalization. Second, the awareness of artists to package performances that match the demands of the times. Third, awareness of the artistic layout strategy using symbolic and supported by Tobong ketoprak tricks. Fourthly, the influence of ketoprak humor and ketoprak R&D which still uses the style of play and jokes, causes the ketoprak show to be no longer a mere political tool, but a tool and place of friendship for the citizens. Fifth, the story was no longer based on myths, chronicles and legends, but penetrated the wayang story but with a more contextual interpretation of the story with the present. By seeing the many activities of ketoprak performances in DIY it can be said if ketoprak has become an icon of culture and tourism in DIY. Ketoprak performances tread its survival was no longer a traditional art, but has become a form of modernist art. Over the past ten years, the ketoprak show has experienced quite improved conditions. The vigilance of artists and audiences must be constantly reminded. The trick was to continuing to enhance the role of government as a protector of arts and culture. The ketoprak festival must continuing to be held continuously. Improving the skills of ketoprak artists must continuing to be sharpened. Of course the friendship between Ketoprak artists must continuing to be encouraged. Government’s appreciation for ketoprak artists must be increased.Keywords: identity; ketoprak; strengthening; globalization

Title

Found 4 Documents
Search

Abstract

Abstract

Abstract

Abstract

Title Search

Found 4 Documents Search

Abstract

Abstract

Abstract

Abstract

Title

Found 4 Documents
Search