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Istari, Rita
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Social Sciences

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PRASASTI PENDEK DARI CANDI SANGGAR DAN KEMUNGKINAN PENGHORMATAN TERHADAP DEWA BRAHMA Istari, Rita
Berkala Arkeologi Vol. 35 No. 1 (2015)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v35i1.38

Abstract

Sanggar temple is located on Penanjakan slope.. The hill is part of Wonogriyo of Pusungmalang village, Puspo regency, Pasuruan district. Sanggar temple suspected as place of worship to the God Brahma who dwells in Mount Bromo. On a series of research carried out in 2005-2008 by Yogyakarta Centre of Archaeology were found several short inscriptions around the temple to be praises used in religious rituals it is allegedly the people in the region. The tradition to sing praises by  until the spread of Islam in Java. The adoption of Islam influence changes lasted praises. The contents of such literatur review espeally ancient writings are used to prove the assumption.
MOTIF HIAS PADA PELIPIT CANDI Istari, Rita
Berkala Arkeologi Vol. 33 No. 1 (2013)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v33i1.6

Abstract

Decorative motifs found in Hindu and Buddhist temples, usually are depicted on almost all parts of buildings. Decorative motif in the form of reliefs consisted of geometric ornaments, nature, plants, animals, and humans. Relief there is a series of panels connected to one another with stories taken shadow-play epic. Fables are also often depicted. Stories with animals as the main character containing morale for human’s life. Temple has 3 main parts, namely the base, body, and roof of the temple. In addition there is also a section called cornice and plinth. This serves as a separator between the three parts of the temple. To add beauty and give the impression of a slender building, then on cornice and plinth was carved decorative motif that surrounds the temple. The various decorative motifs will be discussed at length in this paper.
PENEMUAN SEBUAH CANDI BATA DI DAERAH PANTURA JAWA TENGAH Istari, Rita
Berkala Arkeologi Vol. 32 No. 1 (2012)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v32i1.45

Abstract

The discovery of Kayen Temple in Pati Regency adds the numbers of brick-made temples in Central Java. Balai Arkeologi Yogyakarta conducted previously, a research in areas near Borobudur on assumption that these areas were the cultural and political center of ancient civilization and a fact that most temples are located near Borobudur Temple within 15 kilometers radius. Those temples were either made from andesites or bricks. Temples made from bricks are often discovered in small size, they show that bricks were one of popular building materials that used for temples other than andesites. Kayen Temple is considered as a rare discovery of brick-made temple in the Northern Coast of Central Java. Pati Regency profoundly known as destination for pilgrimage because of its Islamic Heritage also has many destination for Classic Hinduism Heritage
YAJNA SRADDHA DAN YAJNA MEMUKUR Istari, Rita
Berkala Arkeologi Vol. 30 No. 1 (2010)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v30i1.390

Abstract

The most popular text from Majapahit Era, Nagarakertagama, mentioned a ceremony called Yajna Sraddha. This ceremony is related to the dead. The description on the ceremony recalls to the present day Yajfia Memukur ceremony which is still conducted by Hindu Balinese. The purpose of Yajfia Sraddha and Yajfia Memukur ceremonies are basically similar. It is devoted to the people who have passed away so that they can re-unite with the Gods or with the ancestors. This article compares these two ceremonies to reveal the similar aspects.
TRADISI BERSIH DESA DI LERENG GUNUNG BROMO Istari, Rita
Berkala Arkeologi Vol. 29 No. 2 (2009)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v29i2.381

Abstract

Bersih Desa tradition in Pusungmalang, Puspo, Pasuruan is one among various ritual worships. The purpose is to ask for a savety over the danyang in the village. The existence of this tradition cannot be separated from its environment because they are interconnected to each other. The tradition occurs in Javanese people where animism elements are still influenced their mindset, ideology as well as their daety routinity. The Javanese people believed in mystic world or supranatural where every objects regarded as having its own spirit. Pusungmalang which consists of five villages, still keeps the harmonious relationship between humans and their nature. They believed if a violation occurs then disaster would come.
RITUS KEMATIAN MASYARAKAT JAWA KUNA, BALI KUNA, DAN BALI SEKARANG Istari, Rita
Berkala Arkeologi Vol. 28 No. 2 (2008)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v28i2.364

Abstract

Indonesia has various tribes that spread over a large number of islands, and each has their own custom or tradition which is unique and different from each other. One of the customs or traditions is the funeral ceremony which can be found among Javanese and Balinese people, that is a ceremony held when someone is passed away. Based from the old inscriptions and manuscript funeral ceremony has already rooted in the past. They have their own terminology about the ceremony, although the ceremony itself principally has the same purposes. Compared to similar ceremony still undergoes until the present time, it is assumed that the custom or tradition is inherited for generations.
SAPHATA DALAM BEBERAPA PRASASTI Istari, Rita
Berkala Arkeologi Vol. 27 No. 1 (2007)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v27i1.942

Abstract

In writing the ancient history of Indonesia, it is necessary not only historical sources in the form of relics of the past / artifacts, but also in the form of written sources, one of which is inscriptions. In archaeological understanding, the inscription is the official royal charter carved in stone or metal pot, usually containing decisions regarding the designation of an area to be a sima / perdikan area. The determination of an area to be sima by a king or family is usually done if the area is considered meritorious and for the benefit of a sacred building. However, there are also inscriptions containing court decisions and laws. Apart from stone and metal, ancient writing can also be written on lontar, pottery, statues, and possibly other perishable objects such as bamboo and wood, so they are no longer found today.
PENGARUH HINDU DALAM MITOS PADI DI JAWA Istari, Rita
Berkala Arkeologi Vol. 25 No. 1 (2005)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v25i1.913

Abstract

The concept of Mother Goddess in agricultural culture, namely equating or identifying Mother Goddess with soil, plants needed by humans and considered to be born by Mother Goddess. As for the main reason for the worship of Mother Goddess, first of all was the emergence of a feeling of amazement, wonder and human ignorance of natural processes, namely about the secret of birth, the secret of the origin of human or animal life. Their way of thinking which is still very simple then looks for the sources of the cause, and in the end the choice falls to the female character or the mother, because it is based on the experience that it is the woman who gives birth.
KESENIAN WAYANG PADA MASA KLASIK DI JAWA Istari, Rita
Berkala Arkeologi Vol. 23 No. 2 (2003)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v23i2.875

Abstract

The name of wayang kulit only became known during the reign of Airlangga, as is found in Kakawin Arjunawiwaha. Then from Kakawin Bharatayudha it can be seen that the puppet show has been accompanied by gamelan and so on, although it is not as complete as it is now. From Kakawin Wrettasancaya, who was younger, it is known that the puppets at that time were already colored. This is also proven by the puppet reliefs on the temples, even though in fact the temples were younger than Arjunawiwaha, Wrettasancaya and Ghatokacasraya's kakawin, but of course the relief sculptors imitated the pattern of images of shadow puppet figures that were already known in previous times.
ARTI SIMBOLIS PAHATAN NAGA DI BAWAH CERAT YONI DARI SINGASARI Istari, Rita
Berkala Arkeologi Vol. 23 No. 1 (2003)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v23i1.860

Abstract

Yoni, which is made of andesite stone, also has different meanings. The stones for yoni from the production process can be classified into four types, namely: very young stones (bala), young stones (Yuya), middle stones (Madnya) and old stones (wreddha). In addition, it can also be classified into: male stones, female stones and neutral stones. Stone color also has its own meaning, namely: white symbolizes equality, red symbolizes glory, yellow symbolizes prosperity and black symbolizes fertility. Stone for yoni is usually a type of female stone. This fact is in accordance with the opinion that says that yoni is a female element. Most of the yoni is made of black andesite stones, this is in line with the meaning of yoni as a female symbol associated with fertility.
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