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All Journal Besaung : Jurnal Seni Desain dan Budaya Journal of Feminism and Gender Studies (JFGS)
Dzulfikar, Daris
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Arts Humanities Social Sciences

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RESISTENSI PARA TOKOH PEREMPUAN DALAM FILM YUNI: KAJIAN FEMINISME KEKUASAAN Dzulfikar, Daris
Besaung : Jurnal Seni Desain dan Budaya Vol. 8 No. 1 (2023)
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v8i1.2832

Abstract

Penelitian inimengkajitentangbagaimanaresistensitokohperempuanmelawanbudayapatriarkiyangtelahmengakarkuatdilingkunganyangdigambarkanpadafilmYuni.PenelitianinimenggunakanmetodekualitatifdeskriptifdenganmenggunakanteorifeminismekekuasaandariNaomiWolfyangditulisdalambukunyayangberjudulFirewithWiredanditerbitkanpada1993.Dasardariteoriinidigunakanuntukmenganalisisupayatokoh perempuan dalam film Yuni untuk melawan seluruh bentuk represi yang hadir di lingkungannya. Padafilm Yuni ini, digambarkan bawa masih banyak penindasan yang dilakukan pada tokoh perempuan yangmenarik untuk diulas lebih lanjut. Tujuan dilakukannya penelitian ini adalah untuk memberikan deskripsibentuk-bentukresistensiyangdilakukantokoh-tokohperempuandifilmYunisebagaiupayauntukmendobrakbudaya patriarki dan memperjuangkan hak atau pilihan dalam hidupnya. Penelitian ini menemukan empatbentuk resistensi perempuan yang ada di dalam film Yuni, dimana semuanyadidasarkan pada prinsipfeminisme kekuasaan. Bentuk resistensi tersebut tergambar pada para tokoh yang berani mengambil pilihanhidup, tetap berpegang teguh pada keputusan yang dipilih dan vokal atau berani dalam menyampaikan opinidan pendapatyangsesuaidengan pemikirannya.
Film as Medium for Struggling (Social Activism of Indonesian Women Film Producers in Post-Reformation Era) Dzulfikar, Daris; Indrajayani, Galuh Gita
Journal of Feminism and Gender Studies Vol. 6 No. 1 (2026): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v6i1.53706

Abstract

This study analyzes the role of women film producers in Indonesia post-reformation in utilizing film as a medium for social activism, both directly and indirectly. This study examines how Indonesian women film producers create social impact by producing films that address social, educational, and human rights issues, using the impact dimension theory popularized by Diana Barrett and Sheila Leddy. Through a qualitative approach with literature review methods, this research identifies narrative strategies, themes from the films they explore, and the potential impact of their works on driving social change. This research provides a new perspective on the role of women producers in constructing narratives and influencing the impact of their films. The results reveal that films play several important roles: through compelling stories, films can touch emotions; awareness to raise information and stimulate discussion; dimensions engagement to create real interaction from the audience; then the stronger movement which inspires new institutional practices; and ultimately occurs social change, to encouraging tangible action. This is all due to the role of women producers, who are not only have function in technical and financial, but also artistic and social activists who bring new perspectives, promote inclusivity, and empower communities.
Co-Authors Indrajayani, Galuh Gita