Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Ghurnita: Jurnal Seni Karawitan
Raykin, Gede Navio
Unknown Affiliation
Arts Humanities Education Social Sciences

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
Bima Kroda's a Study of Text and Context | Bima Kroda sebuah Kajian Teks dan Konteks Raykin, Gede Navio
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3320

Abstract

In Tejakula Village, there is a report on a piece of madness. In the report, there is one gegilakan percussion, namely the Bima Kroda Gegilakan Percussion; this percussion comes from Tejakula Village and through this object, the researcher conducted research analyzing the Bima Kroda Gegilakan Percussion in terms of text and context. The entire research process was carried out using Ari Kunto's research and application methods and the data collection techniques of observation, interviews, documentation, literature study, and discography. The Bima Kroda Gegilakan Percussion is a gegilaan percussion included in the repertory of gegilakan music in Tejakula Village. The appearance of this percussion is estimated to be in the 1925s, and the creator of this percussion is unknown. Bima Kroda's Gegilakan Percussion contains musical and extra-musical elements. The musical elements consist of 1) tone, using 5-tone pelog tunings; 2) rhythm, using symmetrical rhythm; 3) time signature, using 4/4 time signature; 4) Tempo, using a fast and steady tempo; 5) dynamics, experiencing changes in the dynamics of crescendo and decrescendo. Meanwhile, the extra-musical element can be seen through the philosophy of the name of the percussion itself. The uniqueness of this percussion is that it has its charm. It is said that when this percussion is performed in temples or at art performances, it can invite enthusiastic audiences to give appreciation.
Co-Authors