Claim Missing Document
Check
Articles

Found 2 Documents
Search

Merz: Revolusi seni yang membongkar batasan tradisi Setiyawan, Danu; Sugiarti, Yati
Journal of Culture, Literature and Foreign Language Teaching Vol. 2 No. 1 (2025)
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/jclf.v1i1.1948

Abstract

Merz, pioneered by Kurt Schwitters, advocates for the liberation from the artistic rules that confine it, making it a revolution in the field of art, particularly in German literature. Schwitters depicted this liberation through the representation of traditional and modern visions in his first Merz poem, "An Anna Blume." Therefore, this research aims to elucidate Schwitters' perspective in confronting change and connecting tradition with modernity as depicted in this poem. The approach employed in this research is a semiotic approach utilizing Riffaterre's semiotics theory. The technique used is qualitative descriptive analysis. The primary source of this study is Kurt Schwitters' poem "An Anna Blume." Data collection is conducted through observation, heuristic reading, and hermeneutic reading. The research instrument is the researcher themselves, acting as the human instrument. Data validity is obtained through semantic validity, intrarater, and interrater reliability. Data analysis is carried out using qualitative descriptive analysis. The research findings are as follows: (1) Heuristic reading portrays Anna Blume as breaking old conventions, being mysterious and unique. (2) The discontinuity of expression is caused by meaning replacement meaning deviation, and meaning creation (3) Hermeneutic reading reveals the necessity for tradition and innovation to coexist when facing social and cultural changes. (4) The poem's matrix is the shift in the role of women in the context of modernity, with the model being the coexistence of tradition and innovation. This model is then developed into variants found in each stanza. (5) The potential hypogram in this poem is the integration of tradition and innovation in dealing with change. Meanwhile, the actual hypogram is the November 1918 Revolution and the birth of the Weimar Republic in 1919. Keywords: Analysis, Poetry, Riffaterre, Semiotic, Tradition
Pementasan Busana Tradisional dan Tari Denok Sebagai Strategi Diplomasi Budaya Indonesia di Cabanatuan, Filipina Haryono, Muhammad Budi; Kurnayo, Bambang Hadi; Enggartiasto, Lintang; Viana, Anita; Setiyawan, Danu; Tsaqif, Ghazy Tara; Werdiyarti, Anas Asih; Wijayanto, Jason Edmond; Burhanudin, Aan; Malik, Muchammad; Hermana, Rifki; Mukhtar, Agus; Ujianti, Rizky Muliani Dwi
IRA Jurnal Pengabdian Kepada Masyarakat (IRAJPKM) Vol 4 No 1 (2026): April
Publisher : CV. IRA PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56862/irajpkm.v4i1.379

Abstract

Culture is the primary identity of a nation, to be preserved and passed down through generations. Cultural preservation of local Indonesian heritage, such as traditional costumes and dances, faces significant challenges in the era of globalization. With its cultural richness, Indonesia utilizes cultural diplomacy as a form of soft power to introduce and preserve its cultural heritage on the international stage, including in Cabanatuan City, Philippines. This community service activity aims to socialize various traditional Indonesian costumes and the Tari Denok dance to the residents of Cabanatuan City. The event was held at Nueva Ecija University of Science and Technology in the Philippines. The method used was socialization through performances of traditional attire and Tari Denok, attended by more than 500 participants. The performances of traditional costumes and Tari Denok were divided into two days: August 22, 2025, and September 11, 2025. The results of this activity demonstrate strong enthusiasm among residents of Cabanatuan City for Indonesian culture. The results of this activity increased participants' knowledge and understanding of various traditional Indonesian clothing and Tari Denok.