Maizufri
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HASRAT DIAN PURNOMO PADA TOKOH UTAMA DALAM NOVEL PEREMPUAN YANG MENANGIS KEPADA BULAN HITAM: KAJIAN PSIKOANALISIS JACQUES LACAN Rahmadani, Febrieza; Zurmailis; Maizufri
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 10 No. 04 (2025): Volume 10 No. 04 Desember 2025 Terbit
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v10i04.32034

Abstract

This study analyzes the novel Perempuan yang Menangis kepada Bulan Hitam by Dian Purnomo using a Lacanian psychoanalytic approach to understand the formation of the main character, Magi Diela's, subjectivity within a patriarchal social structure. Using Lacanian concepts such as lack, desire, objet petit a, and the realms of The Real, The Symbolic, and The Imaginary, this research reveals the process of patriarchy's internalization in women and how desire and resistance to symbolic structures create change in the main character. The method employed is a deep textual analysis of symbolism, language, and narrative within the novel. The findings show that the novel is more than just a story of suffering; it is also a medium for resistance against gender injustice, with Magi Diela serving as an example of a woman challenging the patriarchal order. In conclusion, through a Lacanian approach, the novel illustrates how desire serves as the main driving force in a woman's struggle to form a subjectivity free from patriarchal oppression.
Hegemony Of Power: A Narrative Analysis Of Hatta: Aku Datang Karena Sejarah Andriza, Bovi; Rima Devi; Maizufri
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 8 No. 1 (2026)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.8.1.58-77.2026

Abstract

This study explores the representation of hegemonic power in the novel Hatta: Aku Datang karena Sejarah by Sergius Sutanto using Antonio Gramsci’s hegemony theory. The novel illustrates ideological domination between ruling groups and subordinate classes. This research applies a qualitative-descriptive method and critical discourse analysis, focusing on narrative structures of hegemony. The results reveal three types of hegemony in the novel: integral, declining, and minimal. Integral hegemony is characterized by the voluntary internalization of dominant values. Declining hegemony reflects latent resistance from subordinate groups. Minimal hegemony indicates elite dominance with little or no consent from the masses. These hegemonies emerge in various social contexts, including familial relationships and colonial power structures. The novel also presents counter-hegemonic movements through nationalist resistance led by characters like Hatta and Soekarno against colonial rule. The study concludes that literature functions not only as a space to represent power and ideology but also as a critical medium for revealing hidden structures of domination and encouraging awareness of social injustice.