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"Sunda modern"; Gendered modernity in Sundanese performing arts Weintraub, Andrew N.
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 1
Publisher : UI Scholars Hub

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Abstract

In this article, I offer new ways of seeing and hearing Sundanese women singers in modern post-independence Indonesia. I propose a dynamic and historical approach to show how individual female singers shaped new material realities and symbolic meanings of modern Sundanese identity (Sunda modern) from the early 1950s through the mid-1970s. My approach emphasizes difference, uniqueness, and novelty in singers’ public image, on-stage presentation, vocal style, and musical repertoire. I contend that singers’ ability to branch out and cross over – by engaging the national (for example, singing in the national language) and the global (for example, Western-inflected genres) – structured a modern feeling of Sundanese-ness that was emergent (but not possible) during the previous colonial era.