BAYUAJI, INDRATA NUR
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Festival Resik Kali: Tubuh, Sungai, dan Spiritualitas: Praktik Ekologi Budaya dalam Proses Penciptaan Seni Festival Sungai “Resik Kali" BAYUAJI, INDRATA NUR
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 2 (2025): Oktober 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n2.p57-67

Abstract

The Resik Kali River Festival in Sukoharjo Village, Pacitan, is a cultural ecological practice that articulates the relationship between humans, nature, and spirituality through a series of rituals and art performances. This paper discusses the process of creating works in the Resik Kali Festival using an approach based on the methods of artistic creation, which include the stages of exploration, formulation of ideas, design of works, and artistic realization. Based on cultural ecology studies, the resik kali ritual is understood as a cultural strategy for caring for the ecological landscape and the identity of agrarian communities. Through dramaturgical analysis and the concept of the body as a medium of perception, this paper shows that this festival presents a participatory, dialogical, and ecological aesthetic experience. This study provides a conceptual contribution to art creation based on local wisdom, while also being relevant to the development of ecology-based artistic practices.
PENCIPTAAN TEATER KOMUNITAS: ECODRAMATURGI DAN PENGETAHUAN LOKAL PACITAN Bayuaji, Indrata Nur; Supriyanto, Eko; Suroto, Suroto
JURNAL PAKARENA Vol 10, No 2 (2025): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v10i2.83667

Abstract

This article explains community theatre creation in Pacitan based on Resik Kali, Thethek Melek, and Entas-Entas. It employs practice as research and autoethnography through participant observation, interviews, artistic exploration, and collaboration with villagers. The findings show that Pacitan’s agrarian rituals form a socio-ecological dramaturgical structure of environmental care, crop protection, communal solidarity, and food redistribution. It concludes that local tradition in community theatre creation functions as a source of artistic, ecological, and social knowledge for contemporary theatre-making.