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All Journal Jurnal Ilmu Multidisplin Ranah Research : Journal of Multidisciplinary Research and Development
Usrek Tani Utina
Universitas Negeri Semarang, Semarang, Indonesia
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Fungsi Tari Sukoreno pada Pertunjukan Kethoprak Wahyu Ngesti Utomo di Kabupaten Blora Wayang Estaruchi; Usrek Tani Utina
Jurnal Ilmu Multidisiplin Vol. 4 No. 4 (2025): Jurnal Ilmu Multidisplin (Oktober - November 2025)
Publisher : Green Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jim.v4i4.1299

Abstract

Permasalahan yang di kaji dalam penelitian ini adalah tentang fungsi Tari Sukoreno pada penyajian Kethoprak Wahyu Ngesti Utomo di Kabupaten Blora. Penelitian ini menggunakan metode kualitatif di mana dalam pengambilan data menggunakan teknik observasi, teknik wawancara, dan teknik dokumentasi. Teknik triangulasi yang di gunakan dalam mengkaji keabsahan data dalam penelitian ini. Penelitian ini menggunakan tiga tahap dalam menganalisis data yaitu reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian fungsi Tari Sukoreno pada pertunjukan Kethoprak Wahyu Ngesti Utomo di Kabupaten Blora sebagai berikut seni Kethoprak Wahyu Ngesti Utomo ialah salah satu kesenian yang berada di Kabupaten Blora, Sekertariat yang terletak di Desa Karangtawang Kecamatan Tunjungan Kabupaten Blora yang berdiri sejak tahu 2004 dan mulai eksis pada tahun 2009 seni Kethoprak ini ber anggotakan sekitar 60 orang. Fungsi Tari Sukoreno yaitu sebagai hiburan, pertunjukan, dan pemasaran bagi para anggota Seni Kethoprak Wahyu Ngesti Utomo.
Makna Simbolik Gerak Tari Rejang Adat Tumbu pada Upacara Piodalan Ageng di Pura Batur Banjar Tumbu Kaler Karangasem, Bali Ni Ketut Suryaningrum; Usrek Tani Utina
Ranah Research : Journal of Multidisciplinary Research and Development Vol. 8 No. 3 (2026): Ranah Research : Journal Of Multidisciplinary Research and Development
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/rrj.v8i3.2050

Abstract

The Rejang Adat Tumbu dance is a sacred dance unique to Tumbu Village. The Rejang Adat Tumbu dance is presented as a part of the Piodalan Ageng ceremony. This qualitative research aims to reveal the symbols that appear in the performance of the sacred dance during the Piodalan ceremony. Through phenomena arising from the Piodalan ceremony, the researcher employs ethnocoreology and Ferdinand de Saussure's semiotic theory. Data were obtained through participant observation, unstructured interviews, documentary studies, and literature reviews. These methods were conducted by the researcher with community figures and religious ceremony leaders at Pura Batur, Banjar Tumbu Kaler. The results of this study indicate that the Ngembat movements to the right and left have a dual meaning: spiritually, as a special symbol of welcome from the angels who dance to greet the sesuwunan and ancestors during the Piodalan Ageng ceremony, and philosophically, symbolizing the ancestors' persistence in weaving pandan mats as a means of the Piodalan ceremony. This performance is an adaptation of the Awig-awig of Tumbu Village, based on the teachings of Tri Hita Karana, which aim to maintain the balance of the universe. The symbols revealed are expected to serve as a foundation for the community of Tumbu Village, emphasizing the importance of sincerity and wholeheartedness in conducting the Piodalan Ageng ceremony.
Co-Authors Ni Ketut Suryaningrum Wayang Estaruchi