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All Journal TUMATA: Journal of Arts and Cultural Management
Trisna Pradita Putra
Department of Arts Management Indonesia Institute of the Arts Yogyakarta
Arts Decision Sciences, Operations Research & Management Economics, Econometrics & Finance

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Study Of Photocopier Film Distribution Flow Adinda Ayu; Arinta Agustina; Trisna Pradita Putra
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.13112

Abstract

The process of distributing films can be understood as a way for a film to be introduced to the market and made accessible to its intended audience or viewers. Since the inception of the storyline concept by the production parties, the distribution plan has been readily available in the film industry. This implies that the distribution strategy has been a focus for the Producers and Directors even prior to engaging in the three essential stages of film production, namely pre-production, production, and post-production. Film, being a result of imaginative and artistic representation, cannot be dissociated from the cultural and societal environment which both creates and consumes it. Distribution strategies in the film industry need to be aligned with the ability to preserve the filmmaker's vision and aspirations, ensuring the movie is showcased in suitable screening venues and resonates with the intended audience. This Thesis contains research on the distribution channel of the film Photocopier, which was distributed to meet the audience or audiences that have been projected or designed from the start, and are intended to be marketed to. In the context of the film Photocopier, distribution has been carried out and aligned with the vision of the Director and Producer. Photocopier is the first feature film by Wregas Bhanuteja and as its distribution debut, Photocopier went according to expectations where this film managed to attain achievements, gain appreciation, and grow in reputation, as well as achieving financial success.
Annotated Catalogue Of Batik Paintings By Basu Swastha Dharmmesta 1968 – 2021 Syafina Zahra Yanurifa; Trisna Pradita Putra; Dian Ajeng Kirana
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.12586

Abstract

Basu Swastha Dharmmesta has been making painted batik for approximately 53 years but has never been systematically archived and organized. This problem encourages researchers to start cataloging and archiving Basu Swastha Dharmmesta's works to produce an annotated catalog. Cataloging uses an aesthetic approach, and data collection uses qualitative methods. The annotated catalog is a semi-active dynamic archive containing detailed information about the artist, both in academia and art. This catalog measures 33x21cm and contains 104 batik paintings by Basu Swastha Dharmmesta during his 53 years of work. Making the annotated catalog consists of several stages: licensing and consultation with the supervisor, collecting data and materials, interviewing the artist, taking documentation of artworks and academic works, compiling materials and information, and making the design and packaging of the annotated catalog. The documentation archive in the form of this annotated catalog can be an authoritative reference for the public to know the academic works and batik paintings of Basu Swastha Dharmmesta and be able to become an authoritative reference.
Co-Authors Adinda Ayu Arinta Agustina Dian Ajeng Kirana Syafina Zahra Yanurifa