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LINGUISTIC BARRIERS ENCOUNTERED IN THESIS WRITING BY STUDENTS OF THE SHARIA ECONOMICS PROGRAM AT INSTITUT 'AISYIYAH SULAWESI SELATAN Dirmawati
MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 8 No. 2 (2025): Desember 2025
Publisher : Indonesian language and literature education program Majapahit Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36815/matapena.v8i2.4487

Abstract

Thesis writing is one of the essential stages in completing undergraduate studies, including for students of the Sharia Economics Department. However, many students face linguistic challenges that affect the clarity and quality of the scientific work produced. This research seeks to uncover and examine the linguistic challenges present in the theses written by Sharia Economics students at the Parahikma Indonesia Institute. The method used is descriptive qualitative, employing documentation techniques on 21 thesis manuscripts as the sample. The findings indicate that errors in diction, sentence structure, paragraph coherence, and idea organization are the main challenges. These results highlight the need for more intensive and contextual academic writing training that aligns with the terminology used in sharia economics. Keywords: language, thesis, sharia economics, academic writing, students
KODE BUDAYA DALAM NASKAH DRAMA SANG MANDOR KARYA RAHMAN ARGE TINJAUAN SEMIOTIKA ROLAND BARTHES Dirmawati
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 2, Juni 2026 Release
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.57878

Abstract

This study aims to uncover and describe the cultural code system contained in Rahman Arge's drama script Sang Mandor using Roland Barthes' semiotic approach. This study uses a qualitative descriptive method with a focus on the cultural codes that appear in the drama text. The research data are in the form of sentences that represent cultural codes, obtained from the drama script Sang Mandor published in January 1992. Data collection was carried out through reading, listening, inventorying, and careful recording of dialogues between characters. The results of the study indicate that the drama script Sang Mandor predominantly contains cultural codes that reflect social values ​​and the community's outlook on life. These codes not only function as elements that build the story, but also contain deep cultural meanings and are still relevant in people's lives today. Therefore, this study is expected to help readers and literature lovers in understanding the cultural messages implied in the drama script Sang Mandor. In addition, this study is also expected to be a reference for future researchers to study the same work with a different approach so that the meaning of the drama is more comprehensive.