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All Journal JUSPI (Jurnal Sejarah Peradaban Islam)
Priyoyudanto, Febri
Universitas Al Azhar Indonesia
Humanities Social Sciences

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Saudi Arabian Men's Fashion Transformation: Tsaub, Ghutra and Bisht Towards Vision 2030 Koto, Sultan Alam; Priyoyudanto, Febri
JUSPI (Jurnal Sejarah Peradaban Islam) Vol 9, No 2 (2026)
Publisher : Universitas Islam Negeri Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30829/juspi.v9i2.27403

Abstract

implementation of the Saudi Vision 2030 strategic agenda has triggered significant socio-cultural transformations, driving a reconfiguration of national identity that is manifested in the evolution of men's fashion aesthetics. This study addresses a lacuna in existing literature, which tends to position traditional clothing as static cultural artifacts, with the objective of comprehensively analyzing the transformation of design, function, and symbolic meaning of three primary garment elements: thobe, Ghutra, and Bisht. Employing a qualitative approach through a systematic literature review of historical sources, policy documents, and contemporary studies, this research maps the evolution of these garments from the pre-modern era to the present. The findings indicate that these three elements have undergone a fundamental paradigm shift: the thobe has transformed from a utilitarian desert garment into a symbol of urban professionalism; the Ghutra has evolved from a physical protector into an attribute of hyper-nationalism and youth stylistic expression; while the Bisht has experienced democratization from a symbol of elite exclusivity to an inclusive instrument of cultural diplomacy (soft power). This study concludes that modernization in Saudi Arabia does not erode tradition but rather effects a cultural recontextualization, wherein fashion functions as a dynamic medium in the negotiation of a national identity that is adaptive to global demands.
Social Stratification of Jerusalem Society during the Crusades (1174–1185) as Represented in the Film Kingdom of Heaven Pratama, Andhika Issam; Priyoyudanto, Febri
JUSPI (Jurnal Sejarah Peradaban Islam) Vol 9, No 2 (2026)
Publisher : Universitas Islam Negeri Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30829/juspi.v9i2.27364

Abstract

This study critically examines the configuration of social stratification in Jerusalem during the period 1174–1185 as represented in the film Kingdom of Heaven. Employing a qualitative methodological framework, the research integrates content analysis and narrative analysis to systematically identify hierarchical structures depicted within the film, including the monarchy, nobility, military aristocracy, urban classes, and non Latin communities. These cinematic representations are subsequently juxtaposed with contemporary historiographical scholarship to evaluate their representational accuracy and interpretive deviations. The findings indicate that, although the film incorporates narrative simplifications and dramatization, it retains the fundamental characteristics of socio-political inequality in the Latin Kingdom particularly the dominance of the Frankish elite, restricted mobility among lower strata, and the interplay of religious authority and political power in sustaining hierarchical order. The study concludes that film functions not merely as a medium of entertainment but as a cultural apparatus capable of shaping public perceptions of medieval societies through selective reconstruction of the past.
Co-Authors Koto, Sultan Alam Pratama, Andhika Issam