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All Journal Journal of Language and Literature Studies Journal of Language, Literature, Social and Cultural Studies
Addai-Amoah, Anthony Kwarteng
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Arts Education Languange, Linguistic, Communication & Media Social Sciences Other

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Proverbs, power, and the feminine: A literary-discourse study of imaginaries of womanhood in selected Akan proverbs Addai-Amoah, Anthony Kwarteng
Journal of Language, Literature, Social and Cultural Studies Vol. 4 No. 1 (2026): March 2026
Publisher : Yayasan Mitra Persada Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58881/jllscs.v4i1.415

Abstract

Proverbs, as key forms of Akan oral literature, are not merely wise sayings but cultural texts that use literary-discursive strategies such as metaphor, imagery, symbolism, simile, hyperbole, and mystification to encode gender ideologies. This study examined how women are portrayed in selected Akan proverbs through a feminist literary-discourse approach. Using purposive sampling, data were collected from published Akan proverb collections and oral accounts of two Akan elders. The proverbs were grouped thematically into four categories: women as dependents, as dangerous figures, as custodians of lineage, and as ambivalent beings. The findings show that Akan proverbs present women in paradoxical ways — at once central to lineage and family, yet also portrayed as dependent, dangerous, or subordinate. From a literary perspective, the study shows how figurative language functions as a discursive strategy that both conceals and reinforces power relations. However, feminist reinterpretation of these metaphors and symbols opens possibilities for reclaiming proverbs as tools of empowerment rather than subjugation. The study concludes that Akan proverbs are a contested site where cultural memory, literary artistry, and gender ideologies meet. It recommends that educators, scholars, and cultural custodians preserve proverbs and encourage reinterpretations that affirm the dignity and agency of women.
A Feminist-Psychoanalytic Reading of Charlotte Perkins Gilman’s “The Yellow Wallpaper: A Textual Analysis Addai-Amoah, Anthony Kwarteng; Sebesho, Molebogeng
Journal of Language and Literature Studies Vol. 6 No. 1 (2026): March
Publisher : Lembaga Penelitian dan Pemberdayaan Masyarakat (LITPAM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jolls.v6i1.3588

Abstract

This study approaches Charlotte Perkins Gilman’s “The Yellow Wallpaper” from a feminist-psychoanalytic perspective, examining how the act of writing serves as a mode of resistance for a woman silenced by patriarchal and medical authority. Through a close textual analysis informed by Freudian psychoanalytic concepts, the paper examines how Gilman constructs a psychological portrait of female confinement and rebellion. The narrator’s descent into madness is interpreted as both a symptom of the patriarchal suppression of female desire and an unconscious revolt against it. Gilman’s use of symbolism—the yellow wallpaper, the barred windows, and the creeping woman- encodes the internalisation of patriarchal control and the protagonist’s struggle to reclaim her identity. The study also examines the gendered power dynamics between the female protagonist and her husband, a physician, situating the story within the broader social and cultural context of nineteenth-century America. In effect, this paper argues that Gilman transforms “The Yellow Wallpaper” [3] into a timeless work of psychological and feminist insight, showing how literature can illuminate the human mind and the structures that shape it.
A Feminist-Psychoanalytic Reading of Charlotte Perkins Gilman’s “The Yellow Wallpaper: A Textual Analysis Addai-Amoah, Anthony Kwarteng; Sebesho, Molebogeng
Journal of Language and Literature Studies Vol. 6 No. 1 (2026): March
Publisher : Lembaga Penelitian dan Pemberdayaan Masyarakat (LITPAM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jolls.v6i1.3588

Abstract

This study approaches Charlotte Perkins Gilman’s “The Yellow Wallpaper” from a feminist-psychoanalytic perspective, examining how the act of writing serves as a mode of resistance for a woman silenced by patriarchal and medical authority. Through a close textual analysis informed by Freudian psychoanalytic concepts, the paper examines how Gilman constructs a psychological portrait of female confinement and rebellion. The narrator’s descent into madness is interpreted as both a symptom of the patriarchal suppression of female desire and an unconscious revolt against it. Gilman’s use of symbolism—the yellow wallpaper, the barred windows, and the creeping woman- encodes the internalisation of patriarchal control and the protagonist’s struggle to reclaim her identity. The study also examines the gendered power dynamics between the female protagonist and her husband, a physician, situating the story within the broader social and cultural context of nineteenth-century America. In effect, this paper argues that Gilman transforms “The Yellow Wallpaper” [3] into a timeless work of psychological and feminist insight, showing how literature can illuminate the human mind and the structures that shape it.
Co-Authors Sebesho, Molebogeng