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All Journal VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia DHARMASMRTI: Jurnal Pascasarjana UNHI
Jayakumara, I Gde
Pascasarjana Universitas Hindu Indonesia
Education

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DIMENSI RASIONAL DALAM HINDU I Gde Jayakumara; I Gusti Agung Paramita
VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Vol 3 No 1 (2020): Vidya Werta, Media Komunikasi Universitas Hindu Indonesia
Publisher : FAKULTAS ILMU AGAMA DAN KEBUDAYAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (270.834 KB) | DOI: 10.32795/vw.v3i1.664

Abstract

Cara yang digunakan dalam studi ini untuk mengungkapkan dimensi rasional dalam Hindu yaitu dengan menelusuri pola hubungan manusia dengan dunia atau dalam kajian epistemologis lebih lazim dikenal dengan hubungan subyek-obyek. Pengetahuan menjadi benar bila subyek mengaktualisasikan hasil dialognya dengan obyek pada tataran kehidupan praksis. Jadi, pengetahuan yang senantiasa bersifat subyektif-obyektif, obyektif-subyektif itu bukan dalam pengertian yang dipertentangkan, melainkan lebih menunjuk pada pengertian subyek menghidupkan obyek; dan obyek memperkaya subyek. Pada titik inilah jalan pembebasan, kelepasan menjadi terbuka.
CHRIST IMAGE PROJECTION: ESTHETICS IN CHRISTIAN THEOLOGY I Gde Jayakumara
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 14 No 27 (2016): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (401.462 KB) | DOI: 10.32795/ds.v14i27.42

Abstract

Through the controvertiality of The Last Temptation of The Christ we can learn, there is an intrinsic connection between theological aesthetic and moral theology: the theology of Christian praxis. In order to liberate, truth must capture the mind, goodness must enrapture the heart. The good and the true must appear as good and true for us. That is, truth must show its persuasiveness, goodness must show its attractiveness. The true and the good must be revealed as corresponding with our deepest human purposes and desires; in short, they must be apprehended as beautiful. Beauty can then be the instrument of conversion.
THE DOORS DAN TRAGEDI NIETZSCHENIAN I Gde Jayakumara
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 15 No 28 (2016): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (430.897 KB) | DOI: 10.32795/ds.v15i28.64

Abstract

As Nietzsche criticized the modernity to its deepest notion, rationality, The Doors did their criticism through their songs, especially through the stage acts with full of drunkenness and brutality. According to Nietzsche, the contradictions of de facto life cannot be handled by relying on the rationality since it has boundaries and, anyway, the human is the life itself, thereby, he must create a selfhood (the self). He should be inside the life. Inevitably, The Doors music group was considered the most brutal band in the history of rock music. However, within the framework of the Nietzschean tragedy, The Doors may be baptized in the name of god Dionysius – the god of drunkenness.
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