<![CDATA[Melaka is known as one of the most important maritime trading centers in Southeast Asia, serving as a meeting point for various nations and cultures, such as Malay, Chinese, Indian, Portuguese, Dutch, and English. This multicultural dynamic has shaped the development of religious architecture, which can still be observed in historic buildings. This study aims to analyze the representation of multicultural identity in Melaka’s religious architecture through the case studies of Kampung Kling Mosque and Christ Church. The research employs a qualitative descriptive method with a literature study approach and a comparative analysis of architectural elements. This study is expected to provide a deeper understanding of how religious architecture functions as a medium of multicultural identity representation, while also emphasizing its relevance in preserving Melaka’s cultural heritage. The findings reveal that Kampung Kling Mosque represents multiculturalism through grassroots acculturation, combining Malay, Islamic, Chinese, and Indian influences, as reflected in its three-tiered roof, pagoda-like minaret, Malay floral woodcarvings, Chinese ceramic decorations, and Indian-style floor tiles. In contrast, Christ Church Melaka embodies multiculturalism shaped by colonialism, with Dutch Protestant architectural features adapted to local conditions, such as the use of teakwood, tropical gabled roof design, and multilingual gravestone inscriptions (Dutch, Portuguese, English, and Latin). Both buildings function not only as places of worship but also as symbols of identity, historical memory, and intercultural harmony in Melaka. ]]>
