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Yosi Wulandari
Universitas Ahmad Dahlan, Indonesia
Languange, Linguistic, Communication & Media

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Malay Women in Syair Putri Akal: A Ricoeur’s Hermeneutic Study Syafira Anna Dzirin; Wachid Eko Purwanto; Yosi Wulandari
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 11 No. 1 (2025): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v11i1.39358

Abstract

This study examines the representation of Malay women in Syair Putri Akal using Paul Ricoeur's hermeneutic approach to strengthen the cultural identity of women that are often marginalized in historical narratives and classical literature. The background of this study is based on the importance of representing portraits of women in classical literary texts to understand the cultural roles they once held. This study aims to examine the representation of Malay women from their physical, character, and psychological images through an interpretive approach. The method used is qualitative with Paul Ricoeur's hermeneutic theory, which includes the stages of distanciation, interpretation, and appropriation, to explore the poem's symbolic meaning. The results show that the character of Putri Akal is represented as a physically beautiful woman, has intelligence and wisdom in character, and is ethereal and gentle psychologically. The symbolization of beauty and reason in the character of Malay women shows the idealism of Malay culture towards women. In conclusion, Syair Putri Akal places women as objects and as active subjects in social and cultural processes. Hence, building a more equal narrative of women's identity is relevant.
Nature Narratives in Serat Palilindon 9 L 197: Cheryll Glotfelty Ecocritical Studies Iftitah Ulfiana Maghribi; Yosi Wulandari; Ghis Nggar Dwiadmojo
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 11 No. 2 (2025): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v11i2.42223

Abstract

Serat Palilindon 9 L 197 is a palm-leaf manuscript written in the Buda script from the Merapi-Merbabu tradition that records narratives of disasters, especially earthquakes (lindu), as cosmic events laden with moral, social, and spiritual meaning. This manuscript reflects the worldview of pre-modern Javanese society, which interpreted nature not merely as a physical phenomenon, but as the language of the cosmos and a means of ecological ethics. This study aims to analyze the representation of nature in the Palilindon section (lempir 2r-4v) through Cheryll Glotfelty's ecocritical approach using the concepts of nature as text, environmental ethics, and human-nature interaction. The research uses a descriptive qualitative method with content analysis techniques (Krippendorff, 2018). The main data consists of digital manuscripts from the National Library of Indonesia (Khastara) collection and validated transliteration results. The results of the study show five thematic categories, namely (1) natural phenomena as signs of disharmony, (2) human socio-spiritual responses to disasters, (3) symbolic/cosmological meanings through the Hijri calendar, (4) the reciprocal relationship between humans and nature, and (5) ecological values that emphasize solidarity and cosmic balance. The conclusion of the study affirms that Serat Palilindon presents nature as an active agent and an ethical, spiritual text that teaches balance among faith, morality, and ecology.
Co-Authors Ghis Nggar Dwiadmojo Iftitah Ulfiana Maghribi Syafira Anna Dzirin Wachid Eko Purwanto