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All Journal Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Wahyu Thoyyib Pambayun
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GADHON SALIN SWARA: INTERPRETASI GAMELAN GADHON Laurentius Hanan; Wahyu Thoyyib Pambayun
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5991

Abstract

This article recounts the author's experience in the process of composing "Gadhon Salin Swara." The composition is inspired by the gadhon gamelan. Drawing from the gadhon gamelan, the author is motivated to interpret rhythmic patterns that encompass cengkok, sekaran, gerongan, balungan, and the relationships between instruments. The stages of composition include orientation, observation, exploration, composition, and evaluation. Through this process, the author generates new approaches to approaching instrument crafting, particularly within the context of the gadhon gamelan. The author's approach involves developing patterns, maximizing traditional techniques to create dynamics in the composition, and fostering connections between instruments. It is expected that this article will be useful in understanding the author's creative process in composing "Gadhon Salin Swara."
KEPLOK DAN ALOK DALAM KLENENGAN KARAWITAN GAYA SURAKARTA Indah Tri Suryani; Wahyu Thoyyib Pambayun
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 1 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v25i1.6833

Abstract

This paper reveals the expressionist aesthetic problem of keplok alok in Surakarta style karawitan based on the forming factors of musical expressionist aesthetics. Data collection is obtained by means of literature studies, observations, and interviews. Using qualitative research methods with descriptive research types and the theoretical foundation of Theodore Adorno (1948) that the factors forming musical expressionist aesthetics, namely emotion, material formation, contrast, and darkness. In depth, the definition of aesthetics is not only a matter of beauty but comes to the problem of taste. A taste will produce an expression which can produce an impression or character in the presentation of gending karawitan. Keplok and alok are the main musical elements in the smallest character and are not standard, but have a major influence on the taste, beauty, character, purpose or expression created from a gending dish.
Co-Authors Indah Tri Suryani Laurentius Hanan