Juan Pius Pratomo
Universitas Gadjah Mada

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Analisis Semantik Gramatikal pada Lirik Lagu Everything You Are Karya Hindia Juan Pius Pratomo
Jurnal Bahastra Vol 10, No 2 (2026)
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/bahastra.v10i2.13144

Abstract

The rapid expansion of modern music, particularly through both paid and free streaming platforms, has intensified scholarly interest in song lyrics as not merely entertainment but as complex linguistic artifacts embedded with semantic and contextual meanings. This study addresses the problem of how grammatical structures contribute to meaning construction in song lyrics, focusing on the question of how grammatical forms shape semantic interpretation in Hindia’s “Everything You Are.” Employing a qualitative descriptive approach grounded in Abdul Chaer’s grammatical theory (2013), data were collected through attentive listening and systematic note-taking of linguistic units, including words, phrases, and clauses. The data were subsequently classified into three primary morphological processes: affixation, reduplication, and composition. The findings reveal 13 distinct grammatical forms that demonstrate a rich interplay between structure and meaning, highlighting how grammatical processes function to intensify emotional nuance and ideological expression. The analysis shows that these linguistic features reinforce central themes of self-acceptance, unconditional love, and human existence. This study argues that grammatical-semantic analysis of song lyrics provides deeper insights into how language constructs meaning within socio-cultural contexts, positioning song lyrics as significant objects of linguistic inquiry.
Analisis Semantik Gramatikal pada Lirik Lagu Everything You Are Karya Hindia Juan Pius Pratomo
Jurnal Bahastra Vol 10, No 2 (2026)
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/bahastra.v10i2.13144

Abstract

The rapid expansion of modern music, particularly through both paid and free streaming platforms, has intensified scholarly interest in song lyrics as not merely entertainment but as complex linguistic artifacts embedded with semantic and contextual meanings. This study addresses the problem of how grammatical structures contribute to meaning construction in song lyrics, focusing on the question of how grammatical forms shape semantic interpretation in Hindia’s “Everything You Are.” Employing a qualitative descriptive approach grounded in Abdul Chaer’s grammatical theory (2013), data were collected through attentive listening and systematic note-taking of linguistic units, including words, phrases, and clauses. The data were subsequently classified into three primary morphological processes: affixation, reduplication, and composition. The findings reveal 13 distinct grammatical forms that demonstrate a rich interplay between structure and meaning, highlighting how grammatical processes function to intensify emotional nuance and ideological expression. The analysis shows that these linguistic features reinforce central themes of self-acceptance, unconditional love, and human existence. This study argues that grammatical-semantic analysis of song lyrics provides deeper insights into how language constructs meaning within socio-cultural contexts, positioning song lyrics as significant objects of linguistic inquiry.
Analisis Semantik Doa Kawula Pitados pada Masyarakat Katolik Jawa Yogyakarta: Kajian Etnosemantik Juan Pius Pratomo
Jurnal Penelitian Pendidikan Agama Katolik Vol 6 No 3 (2026): Jurnal Penelitian Pendidikan Agama Katolik Edisi Agustus 2026
Publisher : Perkumpulan Perguruan Tinggi Agama Katolik Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52110/jppak.v6i3.763

Abstract

This research is driven by a semantic and ethnosemantic understanding of the Kawula Pitados prayer in the Javanese Catholic tradition in Yogyakarta. This prayer not only serves as an expression of faith, but also as a representation of the religious culture of the Javanese Catholic community, particularly in Yogyakarta, which combines elements of local tradition, language, and theology. One of the new aspects of this research is an in-depth analysis using ethnosemantic theory regarding the linguistic relationship in the Kawula Pitados prayer with the Javanese Catholic community. The purpose of this research is to find the relationship between the meaning, interpretation, and role of prayer in shaping Javanese Catholic identity. Prayer text analysis and semantic interpretation were used as qualitative research methods. The result is a mapping of semantic-theological meanings and the relationship between the Kawula Pitados prayer and reverence for Jesus Christ as the Creator, which is also reflected in the Javanese culture of Mikul Duwur Mendhem Jero, which means to uphold, kindness, and honor a respected person. The attitude and actions of Javanese people who always want to glorify those who are more influential, or in the context of prayer, glorify Jesus Christ himself. The results of this study show that the Kawula Pitados prayer reflects the integration of universal Catholic faith with Javanese religious expression, presenting the kawula-gusti relationship as a symbol of submission as well as eschatological hope. Thus, the Kawula Pitados prayer reflects an attitude of respect that is also reflected in Javanese tradition, helping to build religious identity and emphasizing that language functions as a space where theology and culture meet.