Puji Miftahul Arfi
Universitas Islam Negeri Sunan Kalijaga

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Pribumisasi Islam: Konsep Islam yang Ramah terhadap Budaya Lokal dalam Pandangan Abdurrahman Wahid Puji Miftahul Arfi
Polyscopia Vol. 3 No. 1 (2026)
Publisher : Medan Resource Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57251/polyscopia.v3i1.1970

Abstract

The concept of the indigenization of Islam was articulated by Abdurrahman Wahid, widely known as Gus Dur, in the 1980s as a response to tensions between religious universalism and Indonesia’s plural cultural landscape. This study examines how Wahid conceptualized a culturally responsive Islam and addresses the question of whether indigenization constitutes syncretism or a contextualization of Islamic teachings within local traditions. Employing a qualitative content analysis method, the research analyzes primary and secondary written sources, including books and scholarly articles relevant to Wahid’s thought. The findings indicate that indigenization does not imply theological compromise but rather situates Islam within a cultural framework that allows its normative teachings—particularly in the domains of fiqh, customary practices, textual interpretation, and political-ideological articulation—to be socially grounded and dialogical. Wahid argues that Islam becomes socially transformative not through coercion, but through cultural resonance and ethical engagement. The study concludes that the indigenization of Islam represents a strategic intellectual effort to harmonize religious orthodoxy with Indonesia’s socio-cultural plurality, thereby strengthening Islam’s legitimacy within a democratic and multicultural society.
Makna Budaya dan Nilai-Nilai Ajaran Islam dalam Tari Seudati Masyarakat Aceh Puji Miftahul Arfi
Hijaz: Jurnal Ilmu-Ilmu Keislaman Vol. 4 No. 4 (2025)
Publisher : Medan Resource Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57251/hij.v4i4.2085

Abstract

Seudati Dance is one of Aceh's traditional performing arts, characterized by dynamic movements accompanied by poetic chants, rhythmic foot stomps, chest clapping, and finger snapping performed by the dancers. Throughout its historical development, this dance has served not merely as a form of artistic expression but also as an effective medium for Islamic proselytization (da'wah) and a means of fostering the spirit of resistance and collective solidarity among the Acehnese people. This study aims to examine the meanings, functions, and Islamic values embedded within Seudati Dance in the socio-cultural life of Acehnese society. Employing a qualitative design with a field research approach, data were collected through participant observation, in-depth interviews with Seudati instructors and performers, and documentary analysis of relevant written sources. The data were subsequently analyzed using a cultural anthropological perspective in conjunction with semiotic theory to interpret the symbolic meanings embodied in the dance movements and lyrical compositions. The findings reveal that Seudati Dance encapsulates a wide range of Islamic values, including faith (iman), moral conduct (akhlaq), discipline, solidarity, and devotion to Allah SWT. These values are symbolically represented through choreographic patterns, performance structures, and the poetic verses recited by the performers. Beyond functioning as a medium of da'wah, Seudati Dance also serves as a vehicle for social and religious education while reinforcing the cultural identity of the Acehnese community. The study concludes that Seudati Dance possesses not only profound aesthetic significance but also functions as a socio-religious instrument that facilitates the intergenerational transmission of Islamic values.