Ida Ayu Laksmita Sari
Universitas Udayana, Bali, Indonesia

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Meaning of Yukie Chiri & Ainu's Manga Cultural Vocabulary as an Entrance to Japanese Ainu Cross-Cultural Understanding Ida Ayu Laksmita Sari; Ni Luh Kade Yuliani Giri
Journal of Language and Applied Linguistics Vol. 7 No. 2 (2026): Journal of Language and Applied Linguistics July 2026 (ON GOING)
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v7i2.264

Abstract

This study examined the cultural vocabulary contained in Yukie Chiri & Ainu's manga (comic) (2017). Yukie Chiri & Ainu manga is a comic that tells the journey of a girl named Yukie Chiri in collecting Ainu folklore. Using ethnographic semantic theory, this study focused on the identification, categorization, and meaning of the Ainu cultural system through vocabulary related to cultural elements used in the Yukie Chiri & Ainu manga. The study results show several cultural vocabularies used to introduce Japanese Ainu culture, namely the vocabulary of belief systems, types of rituals, ritual means, place names, seasons, and living equipment of the Ainu people. This study contributes to the understanding that this manga not only introduces narratives and forms of folklore such as yukar as cultural heritage but also confirms that this manga also introduces Ainu cultural vocabulary which is the entry point for readers for cross-cultural introductions.
Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 1 (2024): Articulating Identity
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

Abstract

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.