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All Journal Al Itimad: Jurnal Dakwah dan Pengembangan Masyarakat Islam Al-I'timad: Jurnal Dakwah dan Pengembangan Masyarakat Islam
Fahriza, Muhamad Adi
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Religion Humanities Education Social Sciences

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Trend Sound Horeg Pada Pawai Budaya Masyarakat Kabupaten Pati: Studi Pergeseran Tradisi dan Konflik Sosial Fahriza, Muhamad Adi; Hamidah, Kamilia
Al-I'timad: Jurnal Dakwah dan Pengembangan Masyarakat Islam Vol 4 No 1 (2026): April 2026
Publisher : Mafa Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35878/alitimad.v4i1.2229

Abstract

This study examines the trend of sound horeg usage in cultural parades within the community of Pati Regency as a manifestation of shifting traditions and an emerging trigger of social conflict. Initially serving as a supporting entertainment medium in community celebrations, sound horeg has increasingly dominated cultural parades, leading to the marginalization of traditional arts and the erosion of local cultural values. This phenomenon has transformed cultural parades from spaces of cultural preservation into arenas of modern entertainment and social prestige, which in turn generates social tensions related to noise disturbance, public order, and differing perspectives on cultural authenticity. This research employs a qualitative field research method through observation, in-depth interviews, and documentation. Data were analyzed using a descriptive-analytical approach grounded in Koentjaraningrat’s cultural theory and Karl Marx’s social conflict theory. The findings indicate that while sound horeg contributes to local economic activity and youth expression, it simultaneously intensifies social conflict and accelerates the shift away from traditional cultural meanings. Therefore, balanced cultural management is required to minimize conflict without eliminating local cultural values.
Trend Sound Horeg Pada Pawai Budaya Masyarakat Kabupaten Pati: Studi Pergeseran Tradisi dan Konflik Sosial Fahriza, Muhamad Adi; Hamidah, Kamilia
Al-I'timad: Jurnal Dakwah dan Pengembangan Masyarakat Islam Vol 4 No 1 (2026): April 2026
Publisher : Mafa Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35878/alitimad.v4i1.2229

Abstract

This study examines the trend of sound horeg usage in cultural parades within the community of Pati Regency as a manifestation of shifting traditions and an emerging trigger of social conflict. Initially serving as a supporting entertainment medium in community celebrations, sound horeg has increasingly dominated cultural parades, leading to the marginalization of traditional arts and the erosion of local cultural values. This phenomenon has transformed cultural parades from spaces of cultural preservation into arenas of modern entertainment and social prestige, which in turn generates social tensions related to noise disturbance, public order, and differing perspectives on cultural authenticity. This research employs a qualitative field research method through observation, in-depth interviews, and documentation. Data were analyzed using a descriptive-analytical approach grounded in Koentjaraningrat’s cultural theory and Karl Marx’s social conflict theory. The findings indicate that while sound horeg contributes to local economic activity and youth expression, it simultaneously intensifies social conflict and accelerates the shift away from traditional cultural meanings. Therefore, balanced cultural management is required to minimize conflict without eliminating local cultural values.
Co-Authors Hamidah, Kamilia