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All Journal Scoring: Journal of Film Music Menulis: Jurnal Penelitian Nusantara
Weldi Syaputra
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Produksi Komposisi Mini Album Pop Alternatif “Ruang Tengah” Dengan Penyajian Berbasis Multimedia Misia Agape Barus; Weldi Syaputra; Ahmad Zaidi; Hadaci Sidik
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 4 (2026): Menulis - April
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i4.1112

Abstract

Penciptaan tugas akhir ini berupa produksi komposisi mini album pop alternatif berjudul “Ruang Tengah” dengan penyajian berbasis multimedia yang dipublikasikan melalui platform musik digital. Tujuan penciptaan adalah menghasilkan komposisi musik pop alternatif dalam bentuk mini album yang menjadi produk industri kreatif berupa mini album digital (EP) yang dipasarkan melalui platform digital. Metode penciptaan menggunakan kerangka Proses Kreatif Empat Tahap Graham Wallas (Preparation, Incubation, Illumination, Verification), dengan dukungan teori musik program, komposisi kontemporer, sosiologi musik populer, serta praktik teknik rekaman modern. Karya terdiri dari enam track yang dibagi dalam tiga bagian besar: Exposition (Overture), Development (Bagiku Sedih itu Siklus, Biru dan Kusam), dan Resolution (Chiro Said WDGAF, Ngalir Aja?, Hidup). Hasil penciptaan menunjukkan bahwa mini album “Ruang Tengah” tidak hanya memiliki nilai artistik sebagai refleksi personal pengkarya, tetapi juga relevansi akademis dan praktis dalam pengembangan keilmuan produksi musik populer berbasis multimedia.
The Resonance of Saluang Sirompak in Deathcore: A Fantasy Composition that Bridges Minangkabau Magical Tradition and Contemporary Extreme Music Muhammad Fadlan; Ibnusina Ibnusina; Weldi Syaputra; Yasril Adha
Scoring: Journal of Film Music Vol 4, No 1 (2026): Scoring
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v4i1.31130

Abstract

The Sirompak tradition from Minangkabau, West Sumatra, is a distinctive magical ritual that integrates mantra poetry with saluang (bamboo flute) music, historically used to influence individuals in romantic disputes. Despite its transformation from a magical practice to a performing art, the tradition faces critical sustainability challenges due to the decline in practitioners and the lack of youth engagement. However, Sirompak's distinctive musical characteristics hexatonic scales, repetitive chants, emotionally intense melodies show significant potential for contemporary compositional development. Based on its harsh and performative vocal character, the tradition bears a striking resemblance to deathcore's extreme vocal techniques (growling and screaming). Using art-making methods, this research developed a two-part fantasy composition that transposes Sirompak's musical material into a deathcore idiom. Through systematic experimentation with repetition, sequencing, addition, subtraction, imitation, and countermelody, the composition (10 minutes, 46 and 141 measures per movement) successfully integrates traditional Minangkabau aesthetics with contemporary extreme music for piano, string section, choir, combo band, and saluang. This research contributes: (1) documentation and analysis of the characteristics of Sirompak music; (2) a replicable methodological framework for transposing oral traditions into contemporary compositions; (3) an expansion of the contemporary cross-cultural repertoire that integrates Southeast Asian and Western extreme metal idioms; (4) a challenge to assumptions regarding the incompatibility of magical traditions with art music; and (5) a model for heritage preservation through artistic creation, which has the potential to inspire youth engagement with traditional practices.
Co-Authors Ahmad Zaidi Hadaci Sidik Ibnusina Ibnusina Misia Agape Barus Muhammad Fadlan Yasril Adha