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Weldi Syaputra
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Produksi Komposisi Mini Album Pop Alternatif “Ruang Tengah” Dengan Penyajian Berbasis Multimedia Misia Agape Barus; Weldi Syaputra; Ahmad Zaidi; Hadaci Sidik
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 4 (2026): Menulis - April
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i4.1112

Abstract

Penciptaan tugas akhir ini berupa produksi komposisi mini album pop alternatif berjudul “Ruang Tengah” dengan penyajian berbasis multimedia yang dipublikasikan melalui platform musik digital. Tujuan penciptaan adalah menghasilkan komposisi musik pop alternatif dalam bentuk mini album yang menjadi produk industri kreatif berupa mini album digital (EP) yang dipasarkan melalui platform digital. Metode penciptaan menggunakan kerangka Proses Kreatif Empat Tahap Graham Wallas (Preparation, Incubation, Illumination, Verification), dengan dukungan teori musik program, komposisi kontemporer, sosiologi musik populer, serta praktik teknik rekaman modern. Karya terdiri dari enam track yang dibagi dalam tiga bagian besar: Exposition (Overture), Development (Bagiku Sedih itu Siklus, Biru dan Kusam), dan Resolution (Chiro Said WDGAF, Ngalir Aja?, Hidup). Hasil penciptaan menunjukkan bahwa mini album “Ruang Tengah” tidak hanya memiliki nilai artistik sebagai refleksi personal pengkarya, tetapi juga relevansi akademis dan praktis dalam pengembangan keilmuan produksi musik populer berbasis multimedia.
Nyemendo's Music Composition: Technical and Empirical Verification of the Transformation of the Three Philosophical Values of the Premarital Tradition of the Orang Rimba Sidik, Hadaci; Aluna; Ferry Herdianto; Ahmad Zaidi; Weldi Syaputra
JPPI (Jurnal Penelitian Pendidikan Indonesia) Vol. 12 No. 1 (2026): JPPI (Jurnal Penelitian Pendidikan Indonesia)
Publisher : Indonesian Institute for Counseling, Education and Theraphy (IICET)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29210/020266887

Abstract

The premarital tradition of Nyemendo indigenous Orang Rimba in Jambi contains three philosophical values: active patience, practical competence, and communal decisions. These three values have been ethnographically documented by researchers before, but they have never been transformed into musical works and their success has been verified. This article discusses the creation of a three-part musical composition program (exposition, development, recapitulation) with the aim of answering musical questions, namely: what kind of sound represents active patience, what kind of sound represents practical competence, what musical parameters translate active patience into habitus, and what kind of instrumentation represents communal decision. This study uses three theoretical frameworks: Bourdieu's habitus for the social dimension, Tarasti's musical semiotics for the musical sign dimension, and Feld's acoustemology for the dimension of sound as knowledge. Based on this framework, three compositional concepts were formulated: static minimalism for active patience, gestural virtuosity for practical competence, and discontinuous alternation without soloist initiative for communal decisions. The musical material comes from the main notes of the Orang Rimba ritual mantras as well as the sounds of the forest which are treated as materials equivalent to the tone. The results of technical verification through score analysis proved the existence of the three concepts in 139 beats with a duration of 18 minutes. The results of empirical verification through a hearing test with three respondents (composers, art practitioners, and Tumenggung Urip as traditional elders) showed an average score of 4.33 for active patience, 4.67 for practical competence, and 4.33 for communal decisions (scale 1–5). This composition succeeded in filling the research gap by presenting Nyemendo's philosophical values into a verified sound medium.
Co-Authors Ahmad Zaidi Aluna Ferry Herdianto Hadaci Sidik Misia Agape Barus Sidik, Hadaci